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“The shticky suffusions of show-biz tradition were replaced by a rigidly plasticized shell of industrial defensiveness that wore its bank-vault-like mentality up front.”

UD‘s finished reading about Oscar night. It’s too complex (Lyle and Pammy, the couple at the center of Don DeLillo’s novel Players, constantly worry that they’re “becoming too complex”).

UD has moved on to the other Oscar – Pistorius – and she’s not reading. She’s watching. The conventions of South African courtrooms are intriguing. The accents, the costumes, and the way everyone addresses the judge as “my lady” put things strangely in the way of a Gilbert and Sullivan performance. And there’s no question that plot-wise the story is a page-turner.

UD will be shocked if he’s found not guilty, so this isn’t really about who done it and why and how. It’s actually (I blush to admit) about watching to see if Pistorius’s lawyers are agile enough to maneuver around vast shuddering peaks of damning evidence.

Margaret Soltan, March 4, 2014 10:02AM
Posted in: delillo

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