This is an archived page. Images and links on this page may not work. Please visit the main page for the latest updates.

 
 
 
Read my book, TEACHING BEAUTY IN DeLILLO, WOOLF, AND MERRILL (Palgrave Macmillan; forthcoming), co-authored with Jennifer Green-Lewis. VISIT MY BRANCH CAMPUS AT INSIDE HIGHER ED





UD is...
"Salty." (Scott McLemee)
"Unvarnished." (Phi Beta Cons)
"Splendidly splenetic." (Culture Industry)
"Except for University Diaries, most academic blogs are tedious."
(Rate Your Students)
"I think of Soltan as the Maureen Dowd of the blogosphere,
except that Maureen Dowd is kind of a wrecking ball of a writer,
and Soltan isn't. For the life of me, I can't figure out her
politics, but she's pretty fabulous, so who gives a damn?"
(Tenured Radical)

Friday, May 19, 2006

Jonathan V. Last
Takes the Words
Out of UD's Mouth



'...In 2005, newspapers cut 2,000 jobs; this spring more people graduated from journalism schools than ever before.

......So what do aspiring journalists learn in school? Undergraduate courses of study vary, but if you survey course catalogs, there's a heavy emphasis on process and theory. At Ohio State, for instance, a student majoring in journalism might take some substantive core courses, such as introductory American history, math and microeconomics. But a large portion of his coursework will be taken up with classes such as Principles of Civic Journalism, Topics in Public Affairs Journalism or Industry Research Methods. An undergraduate at Missouri can take courses such as Cross-Cultural Journalism, The Creative Process, Women and the Media--there's even a class on High School Journalism.

At the graduate level, Missouri students get courses that are less about the theoretical aspects of journalism and more about the tricks of the trade: Intermediate and Advanced Writing, Newspaper Reporting and Magazine Editing are all required. For its Master of Sciences program, Columbia's School of Journalism offers Personal and Professional Style, Covering Ideas and The Deadline in Depth. (As we say in the trade, the jokes practically write themselves.)

The running theme is an emphasis on process and the "craft" of journalism: nut grafs, ledes, kickers, inverted pyramids and the rest. Yet this seems a waste of time. Schooling is expensive. A four-year undergraduate education can cost anywhere from $50,000 to $150,000. Grad school is just as bad. The one-year graduate program at Columbia is $38,500.

Yet when it comes to learning about the style and craft of writing, an education can be had for much less. Amazon.com sells the complete archives of The New Yorker on DVD for $63--it's hard to see how a classroom discussion of story structure could be much more valuable than reading and studying the work of the greats, from Truman Capote to David Grann.

Instead of educating future journalists on the nuts and bolts of journalism--because let's be honest, it isn't rocket science or even carpentry--it would make more sense simply to teach them things. Facts, it turns out, are useful.

Most people can write a nut graph after 30 minutes of practice, but comparatively few people can explain, say, econometrics, or fluid dynamics, or the history of the French Revolution. Aspiring journalists don't need trade-craft--they need a liberal-arts education that gives them a base of mastery in actual academic subjects.

Amazingly enough, some J-schools are recognizing this problem and trying to adapt. In May 2005, the Carnegie Corp. and the Knight Foundation partnered with five journalism grad programs (Columbia, Northwestern, UC-Berkeley, USC and Harvard) to launch a $6 million initiative to bring more academics to J-school curriculums. The goal was to get subject-matter instructors from other parts of the university--say, economics professors--and have them teach lessons in their areas to J-school students. The initiative, spearheaded by Carnegie President Vartan Gregorian, has been so well received that last March four more schools signed up.



Columbia's journalism school has embraced this notion so whole-heartedly that it established an alternate degree, a Master of Arts, in which students select a concentration in one of four disciplines: Politics, Arts & Culture, Business & Economics or Science. "We do the craft, or skills, in house," explains Columbia J-school Dean Nicholas Lemann of the new program, "and we contract out, or outsource, the substance to other units in the university."

It seems likely that other graduate programs will follow this lead and that the new emphasis on facts-over-process will eventually filter down to undergraduate programs, too. But why go to journalism school to read, say, David Hume and Adam Smith? Why not just take philosophy and macroeconomics in the standard liberal-arts programs and, with less effort and expense, pick up a course or two (at most) in how to interview a "source"?

Even there, innovation is on move. Last January, Steve and Cynthia Brill pledged $1 million to Yale to fund a program to train undergraduates who aspire to journalism. Mr. Brill, who bristles at journalism studies, wants to keep students pursuing academic majors. Instead, his program will bring a journalism career counselor to campus and a visiting journalist to teach a seminar once a semester. It's the best idea yet.

If America's universities were providing students with adequate academic instruction, instead of pumping out degrees in pseudosubjects like "communications," then J-schools wouldn't need to adapt at all. They could simply shut down.'


Same goes for Creative Writing and Education.