This is an archived page. Images and links on this page may not work. Please visit the main page for the latest updates.

 
 
 
Read my book, TEACHING BEAUTY IN DeLILLO, WOOLF, AND MERRILL (Palgrave Macmillan; forthcoming), co-authored with Jennifer Green-Lewis. VISIT MY BRANCH CAMPUS AT INSIDE HIGHER ED





UD is...
"Salty." (Scott McLemee)
"Unvarnished." (Phi Beta Cons)
"Splendidly splenetic." (Culture Industry)
"Except for University Diaries, most academic blogs are tedious."
(Rate Your Students)
"I think of Soltan as the Maureen Dowd of the blogosphere,
except that Maureen Dowd is kind of a wrecking ball of a writer,
and Soltan isn't. For the life of me, I can't figure out her
politics, but she's pretty fabulous, so who gives a damn?"
(Tenured Radical)

Friday, October 01, 2004

WAT


UD will take advantage of all the post-presidential debate Treblinka/Lubyanka chatter this morning to recommend vociferously the essay "Reading Proust in Lubyanka," by Aleksander Wat, in Four Decades of Polish Essays, edited by Jan Kott (Northwestern University Press, 1990). Here's a sample:



The pendulum of prison time swings between agony and nothingness, but in Lubyanka time has other laws and moves in a different way. [B]ooks brought us back to life, immersed us in the life of free people in the great and free world. We took fictional reality naively, like children listening to fairy tales. Could that have been the reason they gave us books in that laboratory of prison existence, where every detail had been thought out, quite possibly even by Stalin himself? Perhaps the experience of two such antithetical realities is supposed to induce a schizophrenic dissociation in a prisoner, rendering him defenseless against the investigation.

Could this be one means by which the investigator fires the desire to live, which is otherwise extinguished in a prison? I had a great desire to live, because I found Nietzsche's amor fati in every trifle in every book, even the pessimistic ones. The more pessimism in the book, the more pulsating energy, life energy, I felt beneath its surface - as if all of literature were only the praise of life's beauty, of all of life, as if nature's many charms were insufficient to dissuade us from suicide, from Ecclesiastes, and from Seneca's 'better not to have been born at all but, if born, better to die at once.' I came across books that I had read before prison and that had sapped me of my will. For example, Notes from the Underground. But there in my cell even those books sang hosannas.