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Read my book, TEACHING BEAUTY IN DeLILLO, WOOLF, AND MERRILL (Palgrave Macmillan; forthcoming), co-authored with Jennifer Green-Lewis. VISIT MY BRANCH CAMPUS AT INSIDE HIGHER ED





UD is...
"Salty." (Scott McLemee)
"Unvarnished." (Phi Beta Cons)
"Splendidly splenetic." (Culture Industry)
"Except for University Diaries, most academic blogs are tedious."
(Rate Your Students)
"I think of Soltan as the Maureen Dowd of the blogosphere,
except that Maureen Dowd is kind of a wrecking ball of a writer,
and Soltan isn't. For the life of me, I can't figure out her
politics, but she's pretty fabulous, so who gives a damn?"
(Tenured Radical)

Friday, June 10, 2005

COUNTDOWN TO BLOOMSDAY


From Bellow: A Biography, by James Atlas:

“In its scope, its density of reference, its large cast of characters, The Adventures of Augie March consciously emulates the work of Bellow’s literary masters -- ‘the bedrock writers,’ he called them: Dickens, Balzac, Hardy, Melville, Hawthorne, ‘the Russians,’ Tolstoy and Dostoyevsky, and above all Joyce. ‘Joyce was a Flaubertian to begin with,’ noted Bellow, an early and assiduous reader of Ulysses: ‘He brought to pork kidney and privies and Dublin funerals a Miltonic power of language mixing elegance with street talk, popular ditties, obscenities and advertising slogans with Homeric echoes, poetry and silliness, the high and low.’ Joyce’s capacious style became the basis of Bellow’s aesthetic credo.”