I'm always curious about people who are fascinated by writers' lives. It seems to me that we're always in our books, quite nakedly. I wonder, too, does the private life really matter? Who cares what is known about you and what isn't? Even when you make public something that's been private, most people don't get it - not unless they're the same generation and have gone through more or less the same experiences. So, in a sense, we're all private, by definition.

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I don't share the widely held admiration for the 1960s. I was in London, "Swinging London," as it was called, and I saw a lot of suicides and a lot of people who ended up in loony bins. There were a great many casualties. The 1960s was a dangerous decade - though, of course, the politics of that time was very attractive. Nothing is more attractive than people playing at being revolutionaries.

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[F]eminism has been turned into a religion with dogmas and churches. I certainly don't envy men in American universities. But this phase is about to pass. It can't go on much longer. America can be a very hysterical country intellectually and very Puritanical, too. You probably have fun in private, but to the rest of the world you seem to hate fun - to be big on agendas and short on spontaneity. The image you present is one of appalling conformity.