Links
Archives
Thursday, November 08, 2007
SOS
Good writing about a lack of intellectual curiosity at Harvard. SOS suggests ways to make the writing even better. 'When I began my undergraduate career at Harvard a little over two years ago, I spent the early days, weeks, and months floating around in a haze. I felt out to sea in my classes, and socially, the scene surprised me. I had expected Harvard to be an oasis of intellectualism, and it wasn’t. [In a haze, out to sea, an oasis... We've got a mess of metaphors here. But the first-person approach is a good idea, and this Harvard undergraduate writing in the campus newspaper is about to say something very important, and say it pretty well.] Labels: SOS |
WHEN SOS WAS A SCATHING OFFLINE SCHOOLGIRL...
...she was always told never argue from emotion. This rule remained somewhat abstract until SOS read the latest of many letters in the Southern Illinois press in defense of plagiarizing Southern Illinois prez Glenn Poshard. 'I have sat quietly by reading the headlines and editorials about Glenn Poshard, a dizzying roller coaster ride that made me wish I had skipped the chili dog. [A quiet, dizzying roller coaster ride. Confusing.] He devoted his life to serving people of Southern Illinois and is charismatic, enthusiastic and dedicated to his community. [You can be many good things and a plagiarist too.] The problem with arguing from emotion is that you're emotional. You can't think straight. Readers are looking for reasons, not dispatches from the fainting couch. ![]() Labels: SOS |
Tuesday, November 06, 2007
Scathing Online Schoolmarm Pays Timothy Burke a Visit 'With some trepidation, I venture a few thoughts on the controversy over residence-hall programs at the University of Delaware. Trepidation because the kind of position I take on these issues is increasingly wearisome to hold given the polarization in online discussions of academia. [UD is not at all sure she sees the polarization. I don't see anyone out there - online or off - defending programs like Delaware's. Quite a number of these programs, for students, and sometimes for faculty, poke their heads out, attract enough outrage to appear in the press, and then, in seconds, get killed. I don't read anyone, left, right, or center, mourning their passing. It's too easy for Tim to begin his remarks with a gesture of despair about academic polarization, as if there's no common ground. There's common ground, and it's clear right there in the comment thread on Tim's blog. He has plenty in common with commenters to his right, like withywindle.] but I wish I could write in a looser, more enjoyably idiosyncratic, more compelling way about these questions like Oso Raro, but I’ve made my rhetorical bed and I’m stuck with it. Labels: SOS |
Monday, November 05, 2007
Scathing Online Schoolmarm'Among the many works of art hanging in the School of the Museum of Fine Arts’ atrium, Nantucket artist and SMFA alum Joan Albaugh’s oil paintings were part of a sea of canvases. [Awkward first sentence Her works were among many; her works were part of a sea... The feel of this is redundant. Circular.] ---nantucket today--- Labels: SOS |
Sunday, November 04, 2007
Scathing Online Schoolmarm The guy in charge of getting rich people to give money to the University of Houston is pissed off by a proposal Robert Reich's been making lately. Reich, you will recall, wants to cut the tax deduction on charitable giving when it's not really charitable giving. Here's part of a recent opinion piece by Reich: 'I see why a contribution to, say, the Salvation Army should be eligible for a charitable deduction. It helps the poor. But why, exactly, should a contribution to the already extraordinarily wealthy Guggenheim Museum or to Harvard University (which already has an endowment of more than $30 billion)? This seems reasonable to UD -- it's still a generous deduction, after all. But the guy at Houston doesn't like it one bit. Here's his Houston Chronicle opinion piece in response to Reich, with SOS commentary: 'The business of philanthropy and the purposes of fund raising — a $200 billion annual marketplace of givers and receivers — are complex. [Beware of people who begin arguing by announcing the immense complexity of their issue... an immensity only insiders can understand. This comes across as hocus-pocus stuff -- I'm not going to argue against my opponents on the merits; I'm going to insist that they -- and you, the reader -- can't hope to understand the mystical intricacies of my field. This approach is a dud on many levels, but mainly it's a dud because it's condescending.] That's why it's easy for casual observers to mistake generosity for self-interest. [Reich says nothing about the motives of the givers. He talks only about definitions of true charity, and about fair distribution.] $$$$$$$$$$$$$$$$$ UPDATE: Comrade Snowball, in a comment to this thread, says the following: "The athletic deficit at the University of Houston exceeds $100M over the past 15 years, a fact [the author of the opinion piece] failed to mention when bemoaning the lack of space on campus in which to undertake the essential business of teaching and learning." Background here. UD's having trouble finding an update on the situation at UH. What's the deficit now? Labels: SOS |
Thursday, November 01, 2007
Forming, Storming, Norming, Performing, and Dying Out There SOS takes a look at some heartland journalism this morning. From the Salt Lake Tribune. 'Just weeks before the attack on Pearl Harbor plunged the United States into World War II, Utah State made its own kind of history. Labels: SOS |
Sunday, October 28, 2007
![]() ...prose not yet on the boil, but simmering nicely. SOS, as you know, likes to feature outstanding prose by university students. She usually finds this prose in campus newspapers, and that's the case with tonight's example, which appears in the UC Santa Barbara paper. As I say, the writing here's not quite as hot as it should be. But it's on its way. This is a promising writer. Let's take a look. 'Philosophy majors are notorious for being perpetually stoned, easy-going hippies. [I'd drop notorious for being.] They can be found in yoga class, at a NORML meeting or at a party trying to convince a bored sorority girl that the world is really nothing but the dream of a hamster named Fred. [End of sentence great: hamster named Fred is fun. But can be found is a bit clunky. How about Look for them in... And rather than trying to convince I'd simply write telling. I'd also drop is really nothing but and replace it with the world's the dream of a hamster named Fred. Notice the way my edits are about making things snappier, shorter, stronger, more direct.] However, there exists a lesser-known species of philosophy majors. [There exists is okay, because she's trying here for a certain pretentious intellectual formulation.] This minority consists of chain-smoking, coffee-consuming, Friedrich Nietzsche-worshipping emo kids. [Excellent.] Labels: SOS |
Poor Poshard's Almanack: We're Not in 'thesda Anymore "You're not the center of the world, you know. The sun doesn't rise and set on you, you know." How many times have people said these things to UD over the course of her life! And how little impact they've had! Yet a certain widening of one's sympathies, a tentative awakening to the reality of other people, can happen, and sometimes in the most unexpected ways... For instance, UD's become aware, reading letters in the Southern Illinois press about Glenn Poshard, that her comfy 'thesdan world has nothing in common with worlds where newspapers publish letters like this one: I've been haunted about the issue concerning plagiarism in connection with President Poshard since I first heard about it. [Haunted is certainly seasonally appropriate...] Labels: SOS |
Tuesday, October 23, 2007
Schoolmarm v. Rev. A graduate student at Southern Illinois University Edwardsville sends SOS the following letter, published in the SIUE student newspaper. As always, SOS butts in. 'The controversy surrounding the president of Southern Illinois University has begun to bother me. [Recall SOS's many, many cautions against beginning a letter of this sort with how upset, hot, bothered, wild again, beguiled again, a simpering, whimpering child again, you are. Feelings expressed in this way do nothing for an argument except make it feel minutely, dully, personal.] While I have met Dr. Poshard on several occasions professionally, I have no vested interest in the affair. However, as it is playing out I have several observations and questions. [Dead ringer for Mr. Collins, Pride and Prejudice.] Labels: SOS |
Snapshots from Home Plus SOS Writing strong opinion pieces for newspapers is enormously difficult. You have little space in which to explain a situation and take a compelling position in regard to it. Your writing has to be razor-sharp and tightly organized. It has to offer a powerful sensibility and a set of brilliant examples. Tone's important, but there are many pitfalls. Outrage is usually a no-no -- there's something absurd, as the failed writing of Bob Herbert in the New York Times demonstrates, about large emotions in small spaces. Humor is a yes-yes, but only if you're really funny... A few writers -- David Brooks, also in the New York Times, comes to mind -- can manage all of this. Most writers end up bland and ineffective. Here's an example, from today's Philadelphia Inquirer. [Did one of my readers send me this or did I find it myself? I can't remember!] 'Thousands of Americans will travel to colleges and universities this fall for "parents' weekend." [Drop the effing quotation marks! ... Who told me that there's a whole blog now devoted to unnecessary quotation marks?] They'll wander leaf-strewn lawns and quadrangles with their sons and daughters, asking earnest questions about courses, sports and friends. Labels: SOS |
Monday, October 22, 2007
UD's Calming Mandarin Bath Salts and In-House Writing for the NCAA UD takes baths. She's always experimenting with bath salts. Despite a pretty empirical orientation to the world, UD notices that she actually seems to believe a certain combination of bath salts can have, as claimed on their containers, a "calming" effect on her, while another combination can have an "energizing" effect. Each time she pours a new combination of bath salts in her bath, she lies still for a moment to see whether she's been energized or calmed. Certain forms of writing are like calming bath salts. Their words soften in your brain and make it what Wallace Stevens, in his poem "Sunday Morning," calls "wide water, without sound." Reading bath salt prose, you are calm, content, a cocotte into whom prose pours... In-house writing, writing aimed at an already-captured constituency, is often bath salt writing. It doesn't want to be an astringent, argumentative, intellectually challenging sort of thing; it wants to confirm you in the preferences that made you a member of the constituency in the first place. Alumni magazine writing is usually bath salt writing. Article after article, what it really means to say is that of course you made the right decision to graduate from Grinnell... A reader - Mike from Profane - sends UD/SOS a fine example of bath salt writing, from the in-house publication of the NCAA. The article appears in a section called NCAA News, but it's not a news article. To be sure, it's announcing something new, but only to assure NCAA members that, like all NCAA news, this is really good... not to worry... all for the best... The first signal Division I’s dashboard indicators project [Cute name, and UD's just able to make out that it has something to do with cars.] has revealed is that the “check engine” light is on. Athletics spending is progressing at a rate three times that of overall university spending — a pace presidents and chancellors know is not sustainable in the long run. [The piece is about to announce a new service for member universities -- the NCAA will provide schools with comparative sports spending numbers from the other schools. Note that the piece does begin with a seeming acknowledgment of problems in bigtime university spending on athletics. But, typical of bath salt writing, it will do this only in order to calm readers' fears as the piece progresses.] Labels: SOS |
Thursday, October 18, 2007
Laughingstock Speaks UD has called Southern Illinois University, with its now-exonerated plagiarist president, a laughingstock. If you want to hear how a laughingstock sounds, read along with her the following opinion piece in the university's newspaper, written by two members of the committee that came up with the intellectually insulting designation "inadvertent plagiarism" for the intentional, and rife, plagiarism in the president's dissertation. But before you do, note the student editors' introduction to the piece, which says that "Their [the faculty members'] words have not been altered in any way other than to correct grammar and style." If that's true, UD/SOS wonders what the thing must have looked like before the student writers corrected their professors' writing, since it's still an embarrassment. Note also that one of the writers is a professor of speech communication. We are writing in response to the "Our Word" editorial (including the cartoons) in Friday's DE, and Monday's "The P Word" editorial (including the cartoon), both which have occasioned a good deal of negative response on campus and in the wider community. We hope that you will explain what's puzzling about those editorials, as an initial contribution toward developing a reasoned and positive educational experience from what now is a sadly contentious episode in our university's life. [Beyond the vapid positive educational experience cliche, note that these two initial sentences are, well, puzzling. Does the word "puzzling," for instance, mean puzzling to the writers, or puzzling in the editorials? And already the tone feels condescending, irritated, defensive.] Labels: SOS |
Saturday, October 13, 2007
Scathing Online Schoolmarm'Past generations of Arizona's football and men's basketball teams wrote the headlines, but when essay assignments arrived, your high-profile athletes took a hit in the loss column. [The reporter for the University of Arizona newspaper is a freshman who writes pretty well. Naturally, though, SOS has some suggestions...] [...For instance, generations would be better than past generations. Past is implicit when you refer to generations. And while SOS is about to notice and more or less admire the flamboyant language throughout the piece, she will also issue a caution about overuse...] ---the wildcat online--- Labels: SOS |
Monday, October 08, 2007
Scathing Online Schoolmarm Hope it's not too early in your day for a higher-level consideration of bad writing. By bad writing here, I don't mean full of grammatical errors or stylistic faults. I simply mean writing that doesn't work, writing whose clear desire to move the reader in a certain direction intellectually and emotionally meets with resistance and failure. Consider this opinion piece in this morning's New York Times. Terror and Demons [Weak title. Too vaguely portentous. The entire piece is vague and portentous.] History happens, but only just. The lives of individuals, as of nations, may hinge on a millimeter’s difference in the trajectory of a bullet, a road not taken on a whim or the random spray of shrapnel. But there is no undoing what is done. [This first paragraph introduces the problem. It's a string of ominous but vacuous cliches -- road not taken... undoing what is done... It suggests a smug writer who thinks himself full of life wisdom. It's preachy.] Nothing, for example, can bring back the life of Carol Ann Gotbaum, 45, whose terrible end in a holding cell at the Phoenix airport was chronicled in a Times report by Eric Konigsberg. [Little is yet known about this woman and the way she died. The author nowhere acknowledges this. Instead, he spins a still-mysterious story his way, and that feels to the reader like manipulation.] Depressive and fighting alcoholism, Carol missed a connection by minutes. [Was she fighting it? We don't know. Maybe she wasn't fighting it, or wasn't fighting it very hard. And note the use of her first name. This creates a false sense of intimacy. The writer doesn't in fact know her, and he knows almost nothing about her. He intends, early in the piece, to make us sympathize with her, first names creating a greater sense of vulnerability and particularity, I suppose, than last. In fact it comes across as condescending.] She became hysterical and was subdued, handcuffed, shackled, abandoned and found dead with the shackle across her neck. [The writer unfairly slips in the incendiary word abandoned. She was, it appears, not abandoned.] All this happened fast. We can hear her cry: “I’m not a terrorist. I’m a sick mother.” [We. We can hear her cry. You have seen their faces. Bad writing is about emotionality forced upon us. Readers tend not to like this. It's alienating. No one enjoys being manipulated. The effect of the writer's portentous and histrionic language is to push us away from his point of view, not to bring us into his mental world, where he'd like us to be.] We can see the heavy-handed police officers, their sense of mission redoubled by the alcohol on her breath, muscling Carol to the ground. [How come the police officers don't get first - or even last - names? Monsters don't get names.] In their zeal — for American airports are now temples of zealotry — they would not have imagined her three young children, her distraught husband, much less the dislocated life that had put her en route, alone, to an Arizona addiction-treatment clinic. [This is contemptible writing. Fuck the pigs, the author tells us, because in subduing an out of control person they failed to imagine the fact that she has ... not children, of course, but young children... a distraught husband (who, according to the Times account, put a woman like this on a plane by herself)... and a dislocated life... Let me pause a bit on the dislocated business, okay? I love the NYTimes, but never was there a louder public address system on behalf of special pleading for the rich. The woman in question lived in unimaginable opulence -- unimaginable, I mean, for the police whose ugly job it was to deal with her shouted threats and profanities (We can hear her cry... Why doesn't the writer tell us what else we heard before she was subdued? Because the saintliness he's sketching would get fuzzy if we heard her fucks and shits.) No doubt this woman suffered from clinical depression, but it's clear from the newspaper account that her life was a glorious one by any standard. As a result, the only aspect of it the writer can glomb onto in order to convince us of her miserable existence is the fact that she moved from one city to another when she got married, and therefore felt displaced.] As it happened, on another perfect New York morning redolent of the endless summer of 2001 (a time when sunlight mocked pain), I was particularly affected by Carol’s story; and here I am writing about her, rather than brave monks in Burma, because certain signals are too powerful to ignore. [As with the opening sentences of this piece, this sentence is just a mess. A mess. What the hell is he saying? Is there a reference to 9/11 in there? What's the temporality of this sentence? Was he moved by this woman's death in 2001, years before it happened? That's how the sentence reads. And note again the stilted writing ... brave monks... redolent... endless summer... These are dead words.] In many particulars — her South African upbringing, her uprooted life, her acute postpartum depression after the birth of her last child, her hard-working and often absent husband, her radiant smile overlying pain and her powerlessness before her own self-destructive urges — Carol resembled my mother. [Forget the cliches -- radiant smile, etc. Just note again the use of inappropriate words that mean to rev your emotional engines. For instance, the word "uprooted." This woman had an international background, moving from one city to another in search of a good education, a good job, and then a good family life. This ain't uprooted, a word that suggests involuntary removal.] So having read about Carol, my head filled with her disoriented rage before punitive officialdom [Again, the writer prejudges the police response.], I did something I rarely do. I went back and read my mother’s suicide note of July 25, 1978. The note reads in part: “It’s as though I’ve turned to stone. I can’t relate, I can’t communicate and I can no longer bear the pain and gloom I cause to those I love most. I feel I’ll never completely throw off this mood and hopelessness and depression. I know I have everything to thank God for and be thankful for, which only makes my ordeal worse and worse.” In conclusion, my mother asks if “my body — any part of it — can be used for research.” With that, she downed valium, antidepressant drugs and gin. That was almost the end of the story, or the start of a different tale of anguish, but my father, a doctor, found her just in time. Her life hung in the balance and was salvaged. [Wretched cliches.] Other suicide notes would follow — one of June 15, 1982, says: “I’m just too tired to fight anymore” — but never again was the attempt so serious. Technology leaps forward. Medicine advances. Lives grow longer. Diseases are vanquished. But the brain, and in particular the vagaries of mental illness, present mysteries as deep as the elusive enigma of life itself. [Straight out of a cheesy public tv documentary.] When Carol, raised in Cape Town, had her postpartum depression after the birth of her now 3-year-old son, she was a relative newcomer in New York. When my mother, raised in Johannesburg, had hers after the birth of my sister in 1957, she was new to London, with its chill postwar pall. What happened to my mother in the 1950s — insulin shock therapy, electric shock treatment, hospitalization in harrowing wards; things about which she could never speak without a shudder — were of that time. Nobody would have treated Carol’s despair, or anybody’s, like that today. But the riddle remains, etched in radiant mothers’ faces clutching laughing children, faces that seem to mock the very idea of panic, delusion and suicidal self-hatred, but contain them nonetheless. [Radiant mothers in whose faces are etched... Bugger me. This is unbearably bogus writing.] You can look at Carol’s end in many ways: as an innocent’s devastating encounter with terror-obsessed police, as a ghastly but haphazard event, as a death foretold. [Beyond pompous. Offensive in its facile dismissal of the complexity of police-work. Self-congratulatory in its lazy lifting (death foretold) of talented writers' formulations.] In the days of the Irish Republican Army’s terrorism in London, my mother was thrown into what amounted to a holding cell at Fortnum and Mason, the department store, after she left a bag unattended. Under questioning, she became hysterical, confused, unhinged — and was locked up. There was no shackle, however. [This last sentence is just funny. Amid an absurd campaign to paint two women as political prisoners, the writer does feel compelled to note the absence of shackles ...] Thus do the affairs of the world intersect with individuals’ pain. The upshot then rests on a razor’s edge. Lives veer into a vortex. [What can UD say at this point about this sort of prose that she hasn't already abundantly said? Bad writers try to invest their dead writing with life by lists of brief portentous cliches. Sometimes this leads them to the sort of crisis point in which upward shots come to rest on the edge of razors.] Carol Ann Gotbaum and June Bernice Cohen are dead. Cancer took my mother in 1999; she viewed the illness as a trifle beside depression. Her favorite book, unsurprisingly, was Anna Karenina. Her favorite line was from Othello: “What wound did ever heal but by degrees?” [What does this mean? What is the writer trying to say? Nothing much, actually. He's emoting.] Labels: SOS |
Friday, October 05, 2007
Scathing Online Schoolmarm Anatomy of an Unworked Poem An English professor at Virginia Tech who had the killer in his class writes a weak poem about it. So I know Here's a poem that's sincere and emotional and unable to be poetic. Unable to control itself emotionally and express itself artistically. People will say a poem like this one makes artistic sense because its rush of messy lines and words, its lack of linguistic interest or beauty, adequately reflects a traumatized consciousness struck speechless -- or at least hobbled linguistically -- by atrocity. But a poet only has words, powerful words powerfully shaped to convey any number of things, including in cases like this one the failure of words under pressurized circumstances. Look more closely. The moisturizer detail is intriguing but empty. The writer finds it intriguing but does little with it metaphorically or conceptually. He himself, he says, like the killer, wants to be "soft" -- that is, to avoid the hard business of coming to grips with violence in the world? Avoid the hard words that might truly convey what has happened? What precise parallel is the writer suggesting here between his softness and the killer's? It's left unsaid -- but not interestingly, allusively, unsaid. The moisturizer, and the idea of softness, isn't explored. It's simply stated. Then the guys show up - the guys from the paper, the guys from tv. These lines - like the rest of the poem - are prose, not poetry. No lilt. No larger sense of meaning in any of the words used. Just his thoughts as he scribbles. He now calls this poem his "confession." He says he should have done "more than talk to someone / who talked to someone, a food chain of language/ leading to this language of 'no words' we have now." Food chain is a perplexing and weak metaphor. Our empty no words keep us alive? But they are empty, unsustaining. The "maybe we exist as language" and are "unworded" at death line comes across as a somewhat pretentious effort to be philosophical, mainly because it's dropped in and then dropped for good, given no context. And after all, isn't the point of the poem that we are much, much more than language, and that the poet feels guilty precisely because he's remained too comfortably within a kind of soft-language-only setting? That would seem to call for a poem of much more formal and linguistic toughness. As it stands, the poem is another softball, an instance of the fallacy of imitative form, which Ivor Winters describes as "the procedure by which the poet surrenders the form of his statement to the formlessness of his subject-matter." To convey emotional and linguistic debility, you write a debilitated poem. The poet describes a world in which "we're trying to mean," which sounds just right; but surely a poem is something which tries to mean more successfully than the rest of us do as we chat with each other. The poet's defense of his impulse to write poetry so soon after the event inspires a clunker of an image: "I have an apple for a face" when I write, instead of "no face." Yet how is apple meant? A face that's an apple is a rather comic image, and that can't be meant in this context. And an apple is an exceedingly overdetermined symbol. The poet needs to make its significance precise, or the reader's mind will go all over the place with it. Now he moves from apples to flowers, "the clocks of flowers" expressing the turn of the seasons, the way the blooming of the flowers in spring marks the forward motion of time through the seasons. Okay. But he muddies his metaphorical structure once again by throwing an autopsy at us: "these seconds are an autopsy of this world/ suddenly." Actually, in itself this final autopsy line is great, and the poet should have started the poem with it, then explored backwards, perhaps through its morbid idea that time moves in a deathly way in the aftermath of such an event, and that the difficult part of the response to such events is simply moving forward, simply convincing yourself that life goes on. As in many weak poems, it's as if the poet at the very end chances on what he really wants to say, and the right words in which to say it. UD's suggesting here that this poem is really a first draft, the poet's first gust of emotion as he takes on his subject. Perhaps he retains the poem in this inchoate form because he thinks its messiness is authentic, an authentic snapshot of his feelings at a particular moment in time. Yet good poems are worked, no matter how ambitious they may be to capture spontaneity. This poem isn't worked. And as a result, it doesn't work. Labels: SOS |
Friday, September 28, 2007
Surprisingly Blah... ...piece by Andrew Delbanco in the New York Times magazine about American universities. He's usually a strong writer - stylish, polemical - but here he offers bland generalities in a tired voice. One of many indicators of this weariness -- cliches abounding: '...[P]ublic concern, if not yet an outcry, is on the rise. Note that no particular tossed off expression in itself is fatal -- it's the combination of Delbanco's lazy verbal gestures in a short piece that pretends to be charged up about civiization's highest concerns that does him in. Labels: SOS |
Tuesday, September 25, 2007
Scathing Online Schoolmarm Background here. Editorial 'Beer Not A Civil Right Tuesday, September 25, 2007 Our reaction to Thursday night’s rally, for which over 100 students strode into Red Square to bravely raise up their voices against the terrible iniquity of stricter alcohol policies, can be summed up in three words: Only at Georgetown. [Pretty good opening. Laying it on a bit thick, though -- drop either bravely or terrible, for instance.... Actually, let's try dropping them both and see how things go: ...to raise up their voices against the iniquity of stricter alcohol policies... Yes - that's snappier, and the sarcasm remains intact. And you avoid the split infinitive. Only at Georgetown's great.] Only at Georgetown, where an abnormally high thirst for political activism complements a robust college social environment, could such an event occur. There is no other school with the personalities, or the pomposity, or the sheer gall to pull off a spectacle as extravagantly preposterous as the one that took place in Red Square on Thursday. [Again, fine, but note that tightening up a bit on the adverbs and adjectives will make it even better. Only at Georgetown, where a high thirst for political activism complements a robust social environment, could such an event occur. No other school has the personalities (There is, with its prominent to be verb, is a dull way to start the sentence.), the pomposity, and the gall to pull off a spectacle as preposterous as the one that took place in Red Square on Thursday.] We have on several occasions condemned the new alcohol policies enforced this year by the university and the Metropolitan Police Department as a misguided, unfair and exaggerated response to a problem that has never truly been pervasive on our campus. [On several occasions is a bit pompous, and you've just complained about pomposity. Drop "new," since "enforced this year" does the trick there. Drop "that has... been" and just write a problem never truly pervasive...] But there are right and wrong ways to oppose those policies. Last fall, during consideration of a proposed keg ban in campus housing [Drop proposed.], student leaders actively lobbied the university and held a forum for students [Say campus leaders to avoid the repetition of student.] to present their concerns to administrators. Their efforts clearly paid off; the university ultimately chose not to implement a ban. [Loading up a bit on adverbs -- actively, clearly, ultimately. Drop some of this.] And most of the tactics by which students have opposed the new policies this year have also been reasonable — more than 2,000 students signed a petition against the new policies that was sent to university administrators. As the movement against the new policies grows more and more hysterical, however, it will grow harder for anyone on campus to take it seriously. [Let this sentence stand alone; it makes the introduction of wonderful detail in the next section come out more strongly.] At the rally, organizers demanded that administrators meet their demands of [Say organizers insisted, to avoid repetition of demand.]— we’re not making these up — “amnesty” for all Category A violations related to the new policies this year, and for age-neutral party registration, a condition that would require Georgetown to blatantly disregard local alcohol laws. [Drop blatantly.] Some students want to boycott this year’s senior gift. And a recent thread on the protest group’s Facebook page seriously discusses the possibility of a sit-in. What’s next? A hunger strike? Or better yet, maybe a “sober strike!” [Exclamation mark cutesy. Drop it.] We won’t drink until we can do it on our terms! [Exclamation mark here okay.. How about rewriting the sentence like this: Or better yet, a sober strike: "We won't drink until we can do it on our terms!"] (See how many kids sign up for that.) Or maybe — just maybe — there are better ways to use Red Square. A considerably smaller group of students met there earlier on Thursday. They were protesting what they considered racial injustice in the prosecution of six black students in Jena, La. In 2005, students and faculty gathered there, lit candles and prayed for the victims of Hurricane Katrina, one of the deadliest natural disasters in American history. [Drop final clause in this sentence. Just end on Katrina.] STAND used to hold rallies in Red Square, but they’ve been struggling lately to maintain student interest. [Drop lately.] They’re a Georgetown-founded group trying to bring an end to genocide in Darfur. Mom and Dad held rallies, protests and sit-ins of their own. Theirs were to advocate civil rights and to oppose a war in Vietnam. If the only thing that can unify Georgetown students outside of basketball season is the desire for a more convenient game of beer pong, well then, that’s so depressing that we may decide to just quit drinking altogether. [Nice, amusing, final line. UD'd do it like this, though: Ours advocate a more convenient game of beer pong. How depressing. We might just swear off drinking altogether.]' ---the hoya, georgetown university student newspaper--- Labels: SOS |
Monday, September 24, 2007
SOS Utopia: Houston Chronicle 'LEGAL WOES BEGIN TO TARNISH UT's REPUTATION [Begin? Tarnish? The reporter needs to get out of Texas.] Labels: SOS |
Saturday, September 22, 2007
Sporting News: University of Texas Reigns in Bad Publicity
---associated press--- Labels: SOS |
Saturday, September 15, 2007
Scathing Online Schoolmarm A Hack We have already encountered the tabloid-style writing of Susan Estrich. Estrich assumes that hysteria and partisanship are the way to go if you want people to agree with you. Which UD finds odd, since this is totally, radically, incorrect. Yet Estrich persists, column after column, in the sort of writing which guarantees no one beyond her close political allies will shriek along. Since Estrich is a smart and accomplished woman, UD assumes she takes this writing approach cynically. UD assumes that Estrich assumes -- snobbily, lazily -- that people who read newspapers like to be shouted at and talked down to. Another way to say this is that Susan Estrich thinks you're stupid. 'THE MOST CORRUPT MAN IN CALIFORNIA [National Enquirer headline.] SOS summarizes: A hack rushes into print, with bad results. Labels: SOS |
Friday, September 14, 2007
Scathing Online Schoolmarm No one but pissy SOS would subject so excellent a gesture as the following letter to style-scrutiny. But hell. What else am I supposed to do with myself? Watch four-hundred pound defensive ends obliterate each other? As the LA Times, which ran it, explains: "Posted on a website for UC Irvine students, faculty and staff, this letter was signed online by 160 people in four hours." 'Chancellor Drake: Labels: SOS |
Tuesday, September 11, 2007
SCATHING ONLINE SCHOOLMARM Borderline Depressed Writing UD now predicts that President Glenn Poshard of Southern Illinois University, who has led by negative example, and whose plagiarism case is only the latest among recent fallen SIU leaders, will resign. There are reasons the world envies America's public and private universities. The crucial reason is one of legitimacy: To an amazing degree, by global standards, we maintain a reality-based higher education establishment, in which the quality and substance of scholarship and teaching undergoes authentic and frequent scrutiny. This scrutiny is both external, in the form of things like the US News and World Report rankings and Rate My Professors, and internal, as in tenure review. Some of it's sort of internal/external, as in our remarkably free market of professors, a market whose operations make administrators aware of their best faculty, since they're the ones who can move somewhere else. Even in advanced European countries, and certainly in many other countries, as UD has chronicled at length on this blog, nepotism, abuse of power, meager admissions standards, illegitimate procedures in faculty hiring and retention, laziness or corruption in research activity, extensive government control, and restrictions on free speech are common. The core problem in many of these countries is the politicization of higher education, its primary use as a patronage machine, or as a place to stash unemployed young people for awhile. Many weak American universities look a bit like European universities. They're run by people like Poshard, political hacks without intellectuality -- without, really, a grasp of what a university is. UD understands why public systems in particular would find the prospect of political machers running them attractive. These people are powerful, well-connected, can make things happen in the legislature, etc. But without personal academic legitimacy, and without an understanding of the ethos of the university, such presidents and chancellors represent a real risk. Frank Brogan of Florida Atlantic University has a resume similar to Poshard's -- a life in politics, degrees in education (Brogan only went as far as a Master's) -- and he demonstrates, in the way he runs the school, the same embarrassing unawareness of the nature of a university. Observers of American higher education warn that the model of the intellectual president who can also run things (George Washington University's new leader, Steven Knapp, looks to be one of these) is being displaced by the CEO-type for whom the mega-university is a profit-driven business. But we have just as much to fear from hacks who don't know what they're doing. Poshard still doesn't know that he plagiarized. In his world, you eke out an ed degree because you need the credential, and everyone knows the work in it is shabby but no one cares. That's why he was able to say, when asked, that his committee didn't care whether he cited stuff, so why should he? When you can't defend a person intellectually, there's always a temptation to go the emotional route. This is almost always a mistake. SOS says lookee here:
Labels: SOS |
Monday, September 10, 2007
Scathing Online Schoolmarm A news article from a Tuscaloosa Alabama newspaper: 'In the beginning, Ed McMinn knew that at the University of Alabama, football was like religion. Labels: SOS |
Sunday, September 09, 2007
Scathing Online Schoolmarm Says... ... satire is extremely difficult to write. Barbara Ehrenreich, in The Nation, finds a perfectly satirizable subject - overpriced college educations - and manages to fall flat with it. Why? Because satire shouldn't be about your anger and sense of futility. When your peevishness dominates, the thing's undercooked. Satire is done to perfection only when you've removed your aggravation. Ehrenreich needed to let this piece sit overnight. Then she needed to go back to it and make it amusing rather than sneering. Take a gander. (And if you know UD, you know she's fine with Ehrenreich's dig at George Washington University. UD's problem with the piece is style, not content.) Here, by way of contrast, are two successful examples of satires which, like hers, adopt a persona. Labels: SOS |
Monday, September 03, 2007
SOS Takes Her Hat Off... ...to this master of the craft of cliche. Don't ask how he does it. You're either born with this or you're not. 'As the season plays out, time will tell if Michigan's stunning loss to Appalachian State was a defining moment or merely a hiccup.... ---toledo blade--- Labels: SOS |
Sunday, September 02, 2007
Scathing Online Schoolmarm Two locals respond in the newspaper to the Poshard plagiarism controversy at Southern Illinois University. I write this letter as a taxpayer! [A taxpayer who uses exclamation marks!] Labels: SOS |
Friday, August 31, 2007
SOS Agrees, Of Course... ...but thinks this opinion piece about professor/student affairs might be punched up, prosewise. I think [Drop I think] academia honors bans against professor-student relationships more in theory than in practice, because if professors and students couldn’t hook up, the professorate [sic] would go extinct. Labels: SOS |
Monday, August 27, 2007
SOS SIMULCAST'Blogs: All the Noise that Fits The more important the story, the more incidental our opinions become. Something larger is needed: the patient sifting of fact, the acknowledgment that assertion is not evidence and, as the best writers understand, the depiction of real life. Reasoned argument, as well as top-of-the-head comment on the blogosphere, will follow soon enough, and it should. But what lodges in the memory, and sometimes knifes us in the heart, is the fidelity with which a writer observes and tells. The word has lost its luster, but we once called that reporting.' [SOS summarizes: A pisher trying to sound like a grownup.] Labels: SOS |
Saturday, August 25, 2007
Scathing Online Schoolmarm: The Movement to Make Football an Academic Discipline Grows Over at UD's branch campus, we've already considered one argument in favor of making football a university major (the post's title is The Oregon Trial). Here's another, from Massa Saban's plantation: 'Not All College Education is In the Classroom Labels: SOS |
Thursday, August 23, 2007
Having Heard from the Blancheites... ...of college athletics (see below), let's listen to the real stuff, the authentic voice, the one true thing. SOS likes this writing very much. When Football Players Go Bad ---uweekly.com--- Labels: SOS |
Tuesday, August 21, 2007
Saint Tublitz Every great social movement has its martyrs, and the movement to rid universities of corrupt and destructive bigtime sports has now got one in Nathan Tublitz. ![]() Professor Tublitz looks like a professor. He writes like a professor. But he's also, unlike professors as a class, very tough. He goes up against corrupt and destructive bigtime sports on his campus, the University of Oregon. And you just know he's pissing people off when the boosters come out of the woodwork and swarm all over him, like this guy Mike DeCourcy, who writes for Sporting News. Mike's mad with Nathan. He's having a hard time arguing his points against him onaccounta he's real mad. Let's walk calmly through Mike's points and help him collect himself. 'It's not easy being a billionaire, apparently. You think ahead. Work hard. Build a business. Grow the business. Create jobs. Make billions. Give a lot of the money away. All good, right? Labels: SOS |
Meta-Marm This new feature has University Diaries' Scathing Online Schoolmarm SOSing prose which is itself SOSing prose. Know what I mean? I mean, SOS ain't the only person out there subjecting prose to close, usually hostile, analysis; there's even a verb -- to fisk -- which describes the activity, although fisking tends to be satisfied with eviscerating an argument only, rather than, like SOS, going after argument and prose (they're connected, after all). SOS proposes to look at two recent style and content fiskings. One of them's not too bad, though it doesn't knock my socks off. The other is very bad indeed. The not too bad one's by Alex Beam in the Boston Globe. He's taking off after a soft target -- the simulacral Mortimer Zuckerman -- but it's worth attacking writers like Zuckerman, writers who don't really write their pieces themselves, and for whom publishing is about keeping their name in the papers. Zuckerman represents the lazy corruption that gives journalism a bad name, so he certainly should be fisked. Here's how Beam does it: BREAKING OUT THE WOODEN PROSE-O-METER [Starts with an absolutely terrible title. There's nothing clever here, and it's also rather confusing as to meaning.] Beam admires Ron Rosenbaum's writing, but if the following Rosenbaum fisking is typical, he can't be right to do this. THE WORST OP-ED EVER WRITTEN? [Again, a terrible title. Unless the essay to come is the cleverest, most definitive decimation of a piece of writing ever. Which it's not. One reason it's not, right up front: Cast your eye down the page. It's way too long. You want to get in and get out of these things pretty quickly -- after all, they're talking about a short, pretty superficial bit of prose; and the more you rant on, the more the thing seems to be about you, which is death on wheels for this sort of writing. It shouldn't be about your resentment or irritation or disdain; it should be about the prose.] Labels: SOS |
SOS Travels to the Heartland... ... for an up-close look at how they write about university sports in the center of the fiasco. Receivers' Suspensions a Blow to Depth [Why've they been suspended? Oh, same old shit... Doesn't matter... What matters is the blow to our depth...] Labels: SOS |
Monday, August 20, 2007
The Styrofoam Cup Defense'As the trial for former Texas State University [How much trouble is a university in when the Houston Chronicle gets its name wrong in the first sentence? Long, long ago, the place was called Texas State... The Chronicle reporter needs to update his files... UPDATE: And UD needs to get corrective lenses. Andre Mayer, a reader, points out that the writer says "former Texas State University." My bad. Though it seems a strange choice to start your piece about the place by using an obsolete name for it... UPDATE UPDATE: Another reader, TAFKAU, points out that former seems to refer not to the school but to the school's president... And that therefore UD is at least correct that the formulation's messy... Anyway, TAFKAU notes that the reporter has now rewritten the sentence.] President Priscilla Slade starts this week, observers expect a fight that is more contentious than the paper-heavy trial of her chief financial officer who was convicted of criminal financial mismanagement as part of the same investigation. [that is... who was... Especially in concise newspaper writing, you want to avoid these draggy to be verb formulations. Notice how the sentence reads if you simply take them out: "...a fight more contentious than the paper-heavy trial of her chief financial officer, convicted of criminal financial mismanagement..." See? Just drop them.] Labels: SOS |
Thursday, August 16, 2007
Mr. Ingarao Conclusion From "Aes Triplex" --- And, after all, what sorry and pitiful quibbling all this is! To forego all the issues of living in a parlour with a regulated temperature — as if that were not to die a hundred times over, and for ten years at a stretch! As if it were not to die in one’s own lifetime, and without even the sad immunities of death! [Sad immunities of death is gorgeous poetry.] As if it were not to die, and yet be the patient spectators of our own pitiable change! The Permanent Possibility is preserved, but the sensations carefully held at arm’s length, as if one kept a photographic plate in a dark chamber [Wonderful simile.]. It is better to lose health like a spendthrift than to waste it like a miser. It is better to live and be done with it, than to die daily in the sickroom. By all means begin your folio; even if the doctor does not give you a year, even if he hesitates about a month, make one brave push and see what can be accomplished in a week. It is not only in finished undertakings that we ought to honour useful labour. A spirit goes out of the man who means execution, which out-lives the most untimely ending. All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. [Again, notice how simple great writing tends to be. A very simple sentence here, and among the most moving of the essay's.] Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind. And even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas? When the Greeks made their fine saying that those whom the gods love die young, I cannot help believing they had this sort of death also in their eye. For surely, at whatever age it overtake the man, this is to die young. Death has not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tip-toe on the highest point of being, he passes at a bound on to the other side. The noise of the mallet and chisel is scarcely quenched, the trumpets are hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shoots into the spiritual land. Of course I don't mean any of this to glorify Mr. Ingarao, who along with being a very good student of philosophy seems to have been a cold-blooded murderer. I suppose I mean only that even wretched Mr. Ingarao, with all his sins on his head, appears to have been responsive to some of what Stevenson's going on and on about here. He seems not to have wanted to be one of the deadly philosophers Stevenson satirizes, but rather to have wanted to deepen his experience of life by consulting the thoughts of people who had actual contributions to make along these lines. He had what Stevenson calls "the hungry curiosity of the mind." For after all, however seductive Stevenson's raptures about the saving power of non-reflective engagement in life, vibrant reflection on life is itself part of a life well-lived. Labels: SOS |
Mr. Ingarao Part Four From "Aes Triplex" -- There is a great deal of very vile nonsense talked upon both sides of the matter: tearing divines reducing life to the dimensions of a mere funeral procession, so short as to be hardly decent; and melancholy unbelievers yearning for the tomb as if it were a world too far away. Both sides must feel a little ashamed of their performances now and again when they draw in their chairs to dinner. Indeed, a good meal and a bottle of wine is an answer to most standard works upon the question. [Funny.] When a man’s heart warms to his viands, he forgets a great deal of sophistry, and soars into a rosy zone of contemplation. Death may be knocking at the door, like the Commander’s statue; we have something else in hand, thank God, and let him knock. [Again, note the casual tone, which makes things amusing and authentic.] Passing bells are ringing all the world over. All the world over, and every hour, some one is parting company with all his aches and ecstasies. [Repetition of all the world over works well; aches and ecstasies is an attractive pair.] For us also the trap is laid. But we are so fond of life that we have no leisure to entertain the terror of death. It is a honeymoon with us all through, and none of the longest. Small blame to us if we give our whole hearts to this glowing bride of ours, to the appetites, to honour, to the hungry curiosity of the mind, to the pleasure of the eyes in nature, and the pride of our own nimble bodies. [These last phrases are beautiful, if you ask me.] Labels: SOS |
Mr. Ingarao Part Three From "Aes Triplex" -- Indeed, it is a memorable subject for consideration, with what unconcern and gaiety mankind pricks on along the Valley of the Shadow of Death. [pricks is the great word here.] The whole way is one wilderness of snares, and the end of it, for those who fear the last pinch, is irrevocable ruin. [pinch. pricks. There's a casualness of word and phrase tossed in to the more formal salad of this essay which creates a nice off-balance feel.] And yet we go spinning through it all, like a party for the Derby. Perhaps the reader remembers one of the humorous devices of the deified Caligula: how he encouraged a vast concourse of holiday-makers on to his bridge over Baiae bay; and when they were in the height of their enjoyment, turned loose the Praetorian guards among the company, and had them tossed into the sea. This is no bad miniature of the dealings of nature with the transitory race of man. Only, what a chequered picnic we have of it, even while it lasts! and into what great waters, not to be crossed by any swimmer, God’s pale Praetorian throws us over in the end! [Sure, this is exclamatory and overdone for our contemporary tastes... too many classical and biblical allusions, etc. And yet what's also here is a richness of thought and image that carries us along.] Labels: SOS |
Mr. Ingarao Part Two From "Aes Triplex" -- And yet, when one comes to think upon it calmly, the situation of these South American citizens forms only a very pale figure for the state of ordinary mankind. [Strong transitional phrase -- And yet, -- into this next, very long paragraph.] This world itself, travelling blindly and swiftly in over-crowded space, among a million other worlds travelling blindly and swiftly in contrary directions, may very well come by a knock that would set it into explosion like a penny squib. [A penny squib is a cheap firecracker. Notice how this long cosmic sentence ends with a fine deflationary thud.] And what, pathologically looked at, is the human body with all its organs, but a mere bagful of petards? [Pathologically here meaning scientifically. And a petard is also a firecracker. The body as a bagful of petards. Fun.] The least of these is as dangerous to the whole economy as the ship’s powder-magazine to the ship; and with every breath we breathe, and every meal we eat, we are putting one or more of them in peril. [A powder-magazine is a storage room for ammunition and weapons. Note the impressive extension of the explosion image.] If we clung as devotedly as some philosophers pretend we do to the abstract idea of life, or were half as frightened as they make out we are [Here he elaborates on his earlier criticism of philosophers; they think we actively fear death and grasp pathetically at life.], for the subversive accident that ends it all, the trumpets might sound by the hour and no one would follow them into battle — the blue-peter might fly at the truck, but who would climb into a sea-going ship? [The blue-peter's a flag flown when a ship is ready to sail.] Think (if these philosophers were right) with what a preparation of spirit we should affront the daily peril of the dinner-table: ["the daily peril of the dinner-table" -- amusing, poetic...] a deadlier spot than any battle-field in history, where the far greater proportion of our ancestors have miserably left their bones! [Yes. I recently mentioned here Joan Didion's book about her husband's death - The Year of Magical Thinking - and that's just how he died -- sitting down to dinner.] What woman would ever be lured into marriage, so much more dangerous than the wildest sea? And what would it be to grow old? For, after a certain distance, every step we take in life we find the ice growing thinner below our feet, and all around us and behind us we see our contemporaries going through. By the time a man gets well into the seventies, his continued existence is a mere miracle, and when he lays his old bones in bed for the night, there is an overwhelming probability that he will never see the day. Do the old men mind it, as a matter of fact? Why, no. They were never merrier; they have their grog at night, and tell the raciest stories; they hear of the death of people about their own age, or even younger, not as if it was a grisly warning, but with a simple childlike pleasure at having outlived some one else; and when a draught might puff them out like a guttering candle, or a bit of a stumble shatter them like so much glass, their old hearts keep sound and unaffrighted, and they go on, bubbling with laughter, through years of man’s age compared to which the valley at Balaklava was as safe and peaceful as a village cricket-green on Sunday. [Well-observed, funny, though a bit of too much in terms of length. You can't have everything. ... Larkin has a bit in a poem on this subject too. From The Old Fools: For the rooms grow farther, leaving / Incompetent cold, the constant wear and tear / Of taken breath, and them crouching below / Extinction's alp, the old fools, never perceiving / How near it is. 'Extinction's alp' - very same business you see in Stevenson.] It may fairly be questioned (if we look to the peril only) whether it was a much more daring feat for Curtius to plunge into the gulf, than for any old gentleman of ninety to doff his clothes and clamber into bed. Labels: SOS |
Mr. Ingarao Part One Philosophy Now takes note of it. So does the Chronicle of Higher Education. Nicola Ingarao, a Mafia chief who was shot and killed in Palermo a few weeks ago, turns out also to have been a serious student of philosophy, having just passed with a perfect score an advanced exam at the University of Palermo. When an unknown assailant in Palermo, Sicily, fired five shots into Nicola Ingarao on June 13, he killed the reputed boss of the Porta Nuova gang, breaking a 10-month cease-fire among the city's Mafia bands and possibly setting off a new war among them. For some reason, this story reminded UD of an 1878 Robert Louis Stevenson essay, Aes Triplex (it's from Horace, and means 'triple brass'), which she's loved ever since she found it in an old copy of the Oxford Book of Essays. Times being what they are, the essay is right here, in its entirety, in a very pleasant typeface with a gray matte finish. In a self-indulgent effort to figure out exactly why she so admires this essay, and to figure out why the death of Mr. Ingarao made her think of it, SOS will now consider Stevenson's writing very closely. But before we get started -- Who more likely than a major Mafia player to be a philosopher? As Stevenson will note again and again in his essay, we all live under the threat of our own extinction, though we don't think much about it. Or at all about it. A person caught up in deadly turf wars, though, knows moment by moment the contingency of his life... He owes it to himself to get his thinking about it done, pronto... Here's Stevenson's first paragraph, with SOS commentary along the way:
As a matter of fact, although few things are spoken of with more fearful whisperings than this prospect of death, few have less influence on conduct under healthy circumstances. [As long as life moves along normally, we don't think about our death.] We have all heard of cities in South America built upon the side of fiery mountains, and how, even in this tremendous neighbourhood, the inhabitants are not a jot more impressed by the solemnity of mortal conditions than if they were delving gardens in the greenest corner of England. [Again, few of us in this century would write so floridly, but there's an energy and wit here that's attractive.] There are serenades and suppers and much gallantry among the myrtles overhead; and meanwhile the foundation shudders underfoot, the bowels of the mountain growl, and at any moment living ruin may leap sky-high into the moonlight, and tumble man and his merry-making in the dust. [If you don't think Stevenson was aware of the delicious alliteration in all the M's in this sentence, think again. Great prose stylists are very self-conscious. And yes, I've highlighted said M's. Note the internal rhyme, too, in "bowels of the mountain growl."] In the eyes of very young people, and very dull old ones, there is something indescribably reckless and desperate in such a picture. It seems not credible that respectable married people, with umbrellas, should find appetite for a bit of supper within quite a long distance of a fiery mountain; ordinary life begins to smell of high-handed debauch when it is carried on so close to a catastrophe; and even cheese and salad, it seems, could hardly be relished in such circumstances without something like a defiance of the Creator. [Again, a very long sentence, but just lots of fun to be inside, no? The adorable absurdity of "with umbrellas," the freshness of "to smell of," the humble foods...] It should be a place for nobody but hermits dwelling in prayer and maceration, or mere born-devils drowning care in a perpetual carouse. [Maceration? Neither do I. But as SOS has said before on this blog, we go to great writers in part for new words, for the pleasant interior twist we feel when confronted with strange formulations... We go especially to the poet for this, but also to the great prose writer... So, I looked it up, and I think Stevenson means starving themselves.] Let's take a break. More paragraphs to come in a bit. Labels: SOS |
Wednesday, August 15, 2007
Scathing Online SchoolmarmJim Acho, Sports Review Magazine: 'I have received close to 1000 emails the last month, from people asking me to address this. Initially I disregarded, but it reared it's [First of many spelling errors. Dude cannot spell.] ugly head again, after a piece last week by ESPN's Pat Forde, a writer I generally respect [Pompous. Do you think we care who you do and don't respect? UD respects people who know how to spell.]. SOS summarizes: Sucks radically. Labels: SOS |
Wednesday, August 08, 2007
They're Dismantling the University of Oregon's Academic Units Piece by Piece... ...to prop up their sports program, but it doesn't seem to be working. Apparently you can destroy a university intellectually and still have shitty teams. In a spectacularly well-written piece, a sports columnist at The Oregonian makes the point. 'The dominant image on the front cover of the 2007 Oregon football media guide is coach Mike Bellotti. Same as the back cover, which has a second dominant photo of Bellotti, and the words "Fearless" and "Leadership" and "Intensity" and "Strength" and "Determination" and "Innovative." [The author knows the importance of understatement, of letting language do the work for you. He just lists the words; he just describes the photos. He doesn't comment. He knows we get the idea.] Labels: SOS |
Sunday, August 05, 2007
Scathing Online Schoolmarm The bellicose Joseph E. Bellacosa shows you how not to argue a case. His way-angry opinion piece in Newsday insists that Duke University students boycott all classes taught by the 88 faculty members there who, when the lacrosse story raged, put their names to a letter which rushed to judgment against the players. It was a stupid letter -- badly written, too, though who but SOS cares about such things... -- and I don't have anything in particular against boycotts... But Bellacosa's writing makes me want to boycott him. Accountability finally came to Durham County District Attorney Michael Nifong last month, when he was disbarred as an attorney and forced to resign as a disgraced public officer. Last week he issued an apology and a full retraction of the rape accusations against three Duke University lacrosse players. [So far so good.] Labels: SOS |
Saturday, August 04, 2007
A Letter to the Wall Street Journal Multiple offenses italicized by UD.
This sort of prose, which packs cliches and mixed metaphors into very few lines, prompts thoughts in SOS which do often lie too deep for tears... Labels: SOS |
Friday, August 03, 2007
UD Has Always Been Intrigued... ...by skilled propagandists, people who know how to use language in order to frighten people into agreeing with them. The last piece of writing she looked at in detail along these lines was about Patrick Henry College, fascist Christian robot manufacturer. Here's another good one, by Tom Hayden in The Nation. My commentary's included. Should a human rights center at the nation's most prestigious university be collaborating with the top US general in Iraq in designing the counter-insurgency doctrine behind the current military surge? [The genius of this opening sentence lies in the word "collaborating." The subject is the military, and the relationship between the military and the university. There's a well-known history, on which the writer is depending, involving CIA/university collaboration, as well as other forms of collaboration. Our other association with the word "collaborating," on which the writer equally depends, is the disgusting history of European collaboration with the Nazis. An excellent opening gambit.] The Center's response is here. Labels: SOS |
Thursday, August 02, 2007
Charles Simic... ... a poet who ain't never done nothin' for UD, is the new poet laureate. I never see any poetry in a Simic poem, any language that's beautiful or surprising or odd. His work seems to me short declarative sentences, propositional statements that toss domestic ordinariness in with suggestive surreality and hope for the best. Sadder still, I never believe his poems. I mean, Simic doesn't seem to believe them. They seem exercises. And tired ones. Lookee here: Late September Look at that first stanza. The guy goes from a one-legged seagull to the grandiosity of tragedies in the making in a menacing world... So... I'm laughing at this point. Don't throw tragedy at me until you create the mood, buster. Foreplay matters. It's lazy to toss me two images -- a lonely mail truck toddling down the coast, and a forgetful bird -- and then shove that shit about tragedy in my face. I'm not ready. The "Last night you heard" stanza is what I mean by poetry-free poetry. Take the lines out of poetic abbreviation and make them the straightforward prose that they are. There's no suspense in them, no haunted connotation. They're just blah. "So you went out to find out." Why repeat out? Is it of verbal interest to do so? No. It's the same lazy redundancy Scathing Online Schoolmarm finds in so many of the prose pieces she analyzes... And then the weary sea, "rushing off somewhere/ And never getting anywhere." Same sense of laziness rather than intriguing echo in where and where in the last two lines. Oh, and now we wind up, and we reach for something really big: religion. But nothing's been earned here - the solemnity of faith, the terror at the ominous vacuity of existence - these are among the grandest themes of the greatest art. Here, they're sketched in a gesture so superficial as to be a form of contempt: ...a small church With a dozen gray tombstones huddled close As if they, too, had the shivers. Huddled. Hard to think of a more predictable word. You want creepy? Here. Friday Night at the Royal Station Hotel Labels: SOS |
Wednesday, August 01, 2007
Criminals Downfield A strong-minded and not too badly written opinion column in Oklahoma State University's newspaper. It's about the Oklahoma University football team. UD admires the writer's toughness. SOS has a few suggestions. The honorable tradition of college football is tarnished by the University of Oklahoma football team. [Take this out of passive voice for more force in your first sentence: The University of Oklahoma football team tarnishes...] The history and tradition [Don't repeat tradition so soon.] of OU football is richly filled [richly filled is a bit awkward. Just go with filled -- or find a better word.] with National Championships, hall of famers and uncontrollable players [Very nice conclusion of the sentence... sort of unexpected... "uncontrollable players."]. Labels: SOS |
Saturday, July 21, 2007
Scathing Online Schoolmarm UD's already told you that Gophers fans are stupid. In so very many ways. But you don't listen to UD, because she's ...well, you know her demographics. So listen to this guy, who writes for the Minnesota Star Tribune. Admittedly he introduces his opinion piece oddly. But in his own way he's making my point. 'Abraham Lincoln is credited with this observation: "You can fool some of the people all of the time, and all of the people some of the time, but you cannot fool all of the people all of the time." [We're starting in a galaxy far away from our subject... But it might work...] Labels: SOS |
Friday, July 13, 2007
Sometimes Scathing Online Schoolmarm... ...just has to scratch her head. Guys! The way guys write! The way guys write about university sports! Penn State's Number Two in the current Fulmer Cup rankings, which track the most criminal bigtime university sports teams in the country. It's got real problems. But when you just love those lunks, here's how you describe the situation. The only Heisman Trophy winner in Penn State history was never consigned by his coach to spending a Sunday morning crawling across the clammy, sticky concrete of Beaver Stadium, collecting hot dog wrappers and empty Cheese Whiz cups. [In response to a variety of serious offenses on the part of his players, the Penn State coach had them pick trash up at the stadium one day. Let the punishment fit the crime and all... The writer's first sentence, while jammed with all the vivid detail your writing teacher tells you to jam into your sentences, is a bit overwhelming. The coupling of "only" and "never" at the beginning of the sentence is confusing. And the writer's effort to make a trash clean-up sound like years in a gulag looks unpromising.] If Joe Paterno ever punished John Cappelletti and those Nittany Lions of the early 1970s the way he has his current players, putting all of them on trash detail to pay for the alleged offenses of some of them, Cappelletti doesn't remember it. [Note "alleged." Nothing alleged about them. And for "some," write "lots." That's the only way you get to the top of the Fulmer.] (PS: One sportswriter lists ten things he's looking forward to this college football season. Number 3 is 'Seeing the Gameday piece on Penn State football players cleaning Beaver Stadium and then having Desmond Howard sit down with select players and ask, "So, do you think you'll ever home-invade again?"') Labels: SOS |
Sunday, July 08, 2007
Scathing Online Schoolmarm: Flyover Guy-Writing SOS has already discussed the category of prose she calls guy-writing. Flyover Guy-Writing is guy-writing from the heartland. Here's an example, from the Toledo Blade. There are problems. Countless University of Toledo alumni and sports fans, and even the casual everyday observer who relishes dirty laundry being aired, must be wondering just how long Mike O'Brien will be able to hold onto his job as UT's director of athletics. [Background here.] [And, uh, as to style... If you've been following SOS at all, you know we've already got a wordiness problem. Yes, the laundry thing is a cliche, but sports writers only do cliches, and we're about to get a full hamper of them. So forget cliches. Just factor in cliches. Look, instead, at the words jamming things up: both casual and everyday, when one of those two would be better... There are other bad signs: The word "relishes" isn't quite right for the laundry image, and there's his choice of the clunky "to be" word ("being") in place of something smoother...] A lot of flyover guys can't think straight. They've got a barroom charm UD likes to be around. But they can't think straight. They emotionalize everything. UD stirs her pina colada and smiles at them sympathetically as they spin their tales, but inside she's thinking There, there, little fella... Labels: SOS |
Saturday, June 30, 2007
{NOTE: This SOS post has already appeared at UD's branch campus, Inside Higher Education. She reproduces it here in order to add it to her SOS-labeled posts, now all gathered in one place. Just click on SOS at the bottom of this post to get to UD's Scathing Online Schoolmarm collection.} Scathing Online Schoolmarm A vain man struggles with the threat to his self-importance that student evaluations represent. His writing, in the New York Times Magazine, is a good example of something UD's written about on her main campus, in relation to another New York Times writer, Jane Brody: If you're not a very good writer, your writing may reveal unpleasant elements of your character. These elements, which you of course do not wish to reveal, but which your inability to control your writing will out, may fatally distract your reader from the content of your argument. The writer, David Holmberg, a man of the left, has strong political views. A piece he wrote for The Nation elicited a furious letter from someone he interviewed about the Emmett Till case: Holmberg provided misinformation to your readers by not accurately quoting me and, in several instances, by misquoting me regarding my supposed subjects--from conversations that were strictly off the record. One individual erroneously mentioned by name in the troubling piece later contacted me by phone. "This article has ruined my family!" he said. I never identified any individual when speaking to Holmberg, neither confirming nor denying his speculative assumptions. I certainly did not quote any source by name at any time. Holmberg's actions have cast The Nation in a dreadful light. Holmberg's response makes pretty clear that he considers what he pompously calls his responsibility to "history itself" to be a higher moral imperative than niceties like source protection: ... I'm sympathetic with his concerns, but I don't consider it journalistically responsible to indefinitely withhold possibly important information about a historically significant case. And as a practical matter, it's not possible in a competitive journalistic environment.... As for compromising or jeopardizing his sources, that's a risk journalists take every day when they decide to publish a story. It can't be used as a permanent excuse for sitting on information that's vital to the public, and in this case to the possible administration of justice and to history itself. Here's the New York Times piece: We know, aphoristically, about sticks and stones breaking our bones and words being comparatively harmless. But those of us who work with words professionally may be especially susceptible to etymological wounds. [Already a bit strange. Etymology refers to the study of the history of words. UD's been wounded by words, sure, but never by the study of the history of words.] I have been a working journalist and a part-time professor, both of which harbor a verbal vulnerability factor — or should I call it a linguistic punishment index? My heart goes out to the department chair. Here's a paranoid furious man doing personal searches on students who've offended him, practically tearing up evaluation sheets, getting pretty wretched course evaluations again and again... What the hell can she say? She's gotta think fast. Why do his students dislike him? The reasons are as obvious to her as they are to us, but... uh... no, it's suburban bias against the big city! Plus they're clones of their right-wing parents! Calm down, man! Labels: SOS |
Wednesday, June 27, 2007
Blogoscopy / SOS A lot of guys find blogs threatening. I don't know why. We've seen Robert Samuelson growl at them. We've seen Michael Kinsley whine about them. Now there's Paul F. Campos. I once asked a friend of mine, a novelist, why so many writers have drinking problems. "A better question is why so many drinkers have writing problems," he replied. [This is amusing, but what's the connection between the sally and the point coming up about there being a lot of law bloggers?] Labels: SOS |
Tuesday, June 26, 2007
Cries and Whispers This morning, SOS shifts her ancient glittering eyes to higher level problems in prose, problems that can convey a kind of whispery weakness to an essay. She considers an okay piece in Inside Higher Education that would be much better if the writer stopped overusing to be verbs. First, here's the deal on to be verbs, from the South Dakota State Writing Center's webpage: To be verbs are all the various forms of that verb: am, is, are, was, were, has or have been, had been, will have been, being, and to be. They are used to link a subject with a noun or adjective complement, to precede the ing-form of an action verb to form continuous tenses, and to precede the past participle of a transitive verb to form the passive. All of the following examples are correct, but many of them are boring. Changing them to the actor-action sentence pattern normally makes the sentences more interesting and concise. Let us see how to be or not to be plays out at greater length. This month I finished my first full year of teaching as a tenure-track professor. I’ve learned a lot this year [redundancy of "year...year" not a great idea], much of it an odd amalgam [odd amalgam's nice] of the practical and philosophical: I’ve reflected on the nature of education. I’ve pondered the ultimate existential importance [drop ultimate -- already the reader's getting a general sense of wordiness] of education for the development of the individual. I’ve also mastered the overhead projector in my classroom and learned how to make two-sided hand outs on the office photcopier. [This is supposed to be funny, the absurd disproportion between grandly existential values and the trivial business of two-sided handouts. It could be funny. But it's not, because the writer's prose isn't sharp and lean enough to let the humor out. Again, it's the wordiness problem.] But the one thing that I learned this year that I did not expect to learn was the value — and inevitability — of intimacy. One of the commenters on this piece at IHE writes "Get an editor. Brevity is the soul of...oh, never mind." This person is noticing... er, notices, what UD has noticed: Although in fact a short essay, it reads long because of its writing style. Labels: SOS |
Sunday, June 24, 2007
SOS: Page A1, Sunday New York Times This morning, Scathing Online Schoolmarm considers a very well-written, high-profile news article on the front page of the Sunday New York Times -- arguably the most prominent, most-read, front-page in the world. UD has already noted on this blog occasional lapses of news-sense on the part of her beloved newspaper, moments when this impressively international publication loses the bigger picture and betrays a certain parochialism. Here's an example. HEADLINE: A Fairway View, But the Window is Often Broken Intriguing. What's it mean? What's it about? Golf, I guess. A good headline -- makes you want to read on. Let's do that. When she moved into her retirement condominium on a golf course, Eleanor Weiner admired the lush, pristine views of the fairways and greens, a landscape she never had to mow or maintain. Not long after, as she prepared dinner, a golf ball shattered the kitchen window, whistled past her head and crashed through the glass on her oven door. Ms. Weiner retrieved the ball from her oven and stalked outside to confront the golfer who had launched the missile. Starts with narrative. A very good idea. But the writer clearly means this story to generate sympathy for poor Ms. Weiner, shattered by the evil golf ball. And we're going to have trouble sympathizing, aren't we? “He told me that’s what I get for living on a golf course,” said Ms. Weiner, who has lived for a dozen years alongside Rancho Las Palmas Country Club near Palm Springs, Calif. “That was the first time I heard that, but it surely hasn’t been the last.” Damn straight. Live on a golf course, get golf balls. UD's with all the guys telling her off. So the story's already a bit broken. Also, UD's beginning to wonder why the editorial staff of the New York Times thinks golf balls in your windows is a subject, let alone a Sunday A1 subject. Has Ms. Weiner has been hit in the head by so many golf balls that she's become a demented invalid? If UD doesn't read something like this in the next few paragraphs, she's going to wonder even more why an international newspaper has put a non-story on its front page. The intersection of errant golf shots and private property is not a new phenomenon. But with new gear that enables average golfers to hit a ball 250 yards, and with golf communities sprouting nationwide — 70 percent of new courses include housing — it is becoming an increasingly prominent problem. Most homes built near this country’s 16,000 golf courses may not be in the cross hairs of slicing duffers, but thousands are. Already the note of desperation. The writer knows how microscopically trivial his assignment -- the dueling interests of the rich, the battle royale between lush-living retirees and state of the art golf gear owners -- is, so he struggles to beef it up with words like "prominent" and "cross hairs." Plus look at that statistic! Thousands of people just like Ms. Weiner all over this country are being shattered by golf balls... And listen to this! Before buying a five-bedroom house in Maricopa, Ariz., Jenny Robertson scrutinized it, with her mother’s help, according to feng shui principles to assess its harmony with its surroundings. Mrs. Robertson, who is not a golfer, barely looked at the tee box 150 yards from her backyard. Abu Gharib nothing! Look what people right here in this country are going through! And this woman did everything right -- she feng shuied for Chrissake! And the havoc! Dented cars! But there's a solution. There's a happy ending. Which also makes UD wonder why the Times ran this piece. Ms. Weiner ... turned to Screenmobile, a company that specializes in heavy-duty screens for doors and windows. Screenmobile said it received more than 400 calls from homeowners last year. Four hundred calls just last year. Labels: SOS |
Tuesday, June 12, 2007
Oh Kaye! Sunday's Palm Beach Post carried the following article: I Give I Take It Pays! FAU's president has issued, in response, the following campus letter: Subject: To the University Community [Oh hell, SOS can't help sneaking in here... In what way is "To the University Community" a Subject?] Labels: SOS |
The Combination of an Impeccable Argument and a First-Rate Writing Style Will Always Get You Where You Want to Go... ...as this stellar opinion piece in today's Inside Higher Ed demonstrates. The writer is so good that even though he's too emotional (being too emotional is poison when arguing anything) it doesn't matter. Polemically, he's completely in the right, and stylistically I just want to kiss him. Let us see how he makes UD/SOS adore him. On April 11, the president of Columbia University announced that it had received a $400 million pledge from alumnus John W. Kluge, who in 2006 was 52nd on the Forbes list of the wealthiest people, earning his fortune through the buying and selling of television and radio stations. This gift, payable upon the 92-year-old’s death, will be the fourth largest ever given to a single institution of higher education. Emotional, you say? The man's a data machine! Well, hold on. He knows he can't hit you up with his anger just yet. He's got to run some numbers by you. And $400 million. That's a big one. With such a massive transfer of wealth, the accolades poured in, justifying such a gift to an Ivy League university. Columbia’s president, Lee Bollinger, said: “The essence of America’s greatness lies, in no small measure, in our collective commitment to giving all people the opportunity to improve their lives… [Kluge] has chosen to direct his amazing generosity to ensuring that young people will have the chance to benefit from a Columbia education regardless of their wealth or family income.” Mayor Michael Bloomberg indicated that investing in education produces returns that can’t be matched. Rep. Charles Rangel said the gift would ensure greater numbers of students can afford a first-class education. Laying it on even more thick here. Taking a risk, too, because he's about to argue that this form of philanthropy isn't philanthropy at all, but the rankest bullshit. Yes, yes, everyone's happy, and what a wonderful thing to give all that money to a university like Columbia... Next paragraph only has one line, and a short one at that: Oh please! Goody, goody. Now we get down to it. Hold on tight. I am becoming less and less tolerant of people who pass wealth on to the privileged and masquerade it as philanthropy. Philanthropy is the voluntary act of donating money, goods or services to a charitable cause, intended to promote good or improve human well being. When a billionaire gives money that will benefit people who are more than likely already well off or who already have access to huge sums of money, attending the ninth richest university by endowment, this is not philanthropy. This simply extends the gross inequities that exist in our country — inequities that one day will come home to roost. [Sure, come home to roost is a cliche. I don't care. I love him. I forgive him.] The writer goes on to note that the situation isn't much better at public universities, that in both private and public universities the trend is toward the shutting out of truly needy students and toward a concentration of wealthy students. He continues: America’s so-called philanthropists ignore these facts, and we continue to laud their generosity to the privileged. At the same time, people of color continue to fall further and further behind, and unless we begin to help those who actually need help, America’s economy will suffer.Fat, over-endowed universities with well-off students and a few less well-off keep struggling populations down, and make social unrest and economic instability more likely. Conclusion: Our political leaders must begin to challenge the wealthy to practice real philanthropy. They should be encouraged to give gifts that will benefit a greater number of people with real need (most of their constituents), versus a wealthy minority ... It is time for us to restore the integrity of philanthropy, and call gifts to the wealthy what they really are — the perpetuation of privilege. It all reminds me of the Larry Ellison/Harvard University dustup a few months ago, when everyone got all upset because Larry was going to give hundreds of millions to Harvard (current endowment close to thirty billion dollars) but then decided not to. Oh please. Labels: SOS |
Monday, June 11, 2007
It's Not How Sleazy You Make It... ...it's how you make it sleaze. And UD, you know, is an aficionado of sleaze served up by the finest Italian hands. Example [SOS commentary in red.]: In the course of its investigation [of schools throughout the Maricopa County Community College District], the Tribune interviewed dozens of past and current athletes and coaches. A reporter attempted to attend numerous [academic-credit] coaching classes but found only one meeting at its scheduled time and place. ... Typically, [when reporters went to the locations of classes at the scheduled times,] the classrooms were empty, the lights off. [These are best understood as courses in ontology: What is "being"? What would a "non-being" class look like?] The newspaper also reviewed course outlines and other material from coaching classes offered this school year. ---east valley tribune--- Labels: SOS |
Friday, June 08, 2007
Scathing Online Schoolmarm, Lawyer-Style 'A tenured psychology professor at Texas Christian University remained Thursday in a Texas jail, arrested on charges that he made a “terroristic threat,” a class B misdemeanor. ...According to police reports, Bond hinted in an e-mail about bringing a submachine gun on campus. An arrest warrant affidavit cited by The Dallas Morning News said that Bond sent out harassing e-mail messages to a number of university employees last month, and made a statement saying he would spit in a colleague’s face. TCU officials would not confirm that those allegedly targeted were employees, nor would they expand on the nature of the alleged threats. --- inside higher education --- Labels: SOS |
Monday, June 04, 2007
Scathing Online Schoolmarm An opinion piece in today's Inside Higher Education -- where UD has just proudly opened a branch campus -- assumes the thankless task of defending courses in business ethics in MBA programs. The short essay begins promisingly, by acknowledging the absolute absurdity of the endeavor, at least as it's now conceived: The dreaded question: "So, what are you teaching this semester?" When I reply that I teach a business ethics course, more often than not my questioner laughs and asks whether that isn't an oxymoron. And then laughs some more. [This rude response - in which UD lustily joins - reflects the staggering disconnect between a successful life as a capitalist and personal morality. As in Nice Guys Finish Last. As in a statement a journalist made at a recent meeting of the Knight Commission: "Jerry Tarkanian said nine out of ten major college teams break the rules. The tenth one's in last place."] Okay, here's a suggestion for how business schools can take ethics seriously. First, they can stop offering not very good courses in ethics. These courses are an insult to their students' intelligence. Next, they should fire all their business ethics professors. They should take the money they've now freed up and use it to institute a three-times-a-year debate series to which students are invited. They do not have to attend. These debates would be between luminaries in the world of business and business regulation (Bill Gates, Rupert Murdoch, Carly Fiorina, Elliot Spitzer, Andrew Cuomo, Richard Grasso, plus a few high-profile douchebags on prison furlough), and their topic would be somewhat open, but would probably naturally evolve, given the participants, into a useful and honest give and take on the complexities of corporate behavior. Alan Greenspan, in a recent speech at a business school, acknowledged the high levels of corporate dishonesty in America and pleaded with the graduates: A generation from now, as you watch your children graduate, you will want to be able to say that whatever success you achieved was the result of honest and productive work, and that you dealt with people the way you would want them to deal with you. … I do not deny that many appear to have succeeded in a material way by cutting corners and manipulating associates, both in their professional and in their personal lives. But material success is possible in this world, and far more satisfying, when it comes without exploiting others. The true measure of a career is to be able to be content, even proud, that you succeeded through your own endeavors without leaving a trail of casualties in your wake. Very pretty, but rhetorically hopeless. As if the eager twenty-somethings in his audience are thinking in generational terms... As if they don't know that the modest term "material success" now means making forty million dollars a year as a fund manager... This is just an old guy operating outside the corporate realm gassing on in the way of many business ethics professors. Franchement, UD doesn't think universities can do much about this at all. But if they want to try something that might have some teeny utility, they might try her idea. Labels: SOS |
Monday, May 28, 2007
Scathing Online Schoolmarm The local paper takes Berkeley's professors to task for refusing to take a stupid, unnecessary, mandated ethics quiz (background here). JUST TAKE THE COURSE Labels: SOS |
Sunday, May 20, 2007
SOS Stays on the ![]() Mark Stivers Labels: SOS |
Saturday, May 19, 2007
Scathing Online Schoolmarm Here, a blogger for the Oregon Statesman Journal complains that employers unfairly judge graduates of Oregon's schools to be inferior to job applicants who come from systems outside the state. Yet this man -- himself a product of Oregon's education system -- writes so badly that he makes the opposite case: The employers are probably right. Oregon finds itself last or lowest among all the states in its public support of higher education. Every obvious indication would lead the observer to believe that Oregon's legislators ignore the relationship between paying for what you get. ['Relationship' needs to be between two things: Paying for what you get and...?] Labels: SOS |
Wednesday, May 16, 2007
UD's Becoming Quite the Fan... ... of Patricia McGuire, president of Trinity University here in Washington. Not only was she scathing on the subject of ex-American University president Benjamin Ladner's outrageous compensation, but she also has her own blog. And maybe it's all that blogging she's doing, but she's also a very good writer: Rip it up and throw it away. [Glance down to the end of her opinion piece. She returns to the rip it up bit. This circular approach to structure is almost always a good bet.] That’s the advice I’m giving my fellow college and university presidents this month as the “reputation survey” from U.S. News & World Report lands on our desks. [You guessed it. I'd take "reputation survey" out of quotation marks.] I am one of 12 presidents who wrote a letter urging colleagues to take a stand for greater integrity in college rankings — starting by boycotting the magazine’s equivalent of the “American Idol” voting process. [Everyone in the country except for tv-less UD knows what American Idol is -- again, no need for quotation marks.] Labels: SOS |
Tuesday, May 01, 2007
SOS Excellent Writer. Bad Logician. Barbara Ehrenreich argues here that the Marilee Jones story (she's the longstanding admissions person at MIT who was just fired for having lied about all of her higher education credentials) proves that most people probably don't need a college degree, and that their expensive BA's are really about making them poor and desperate (all those student loans to repay) and therefore meek employees. Since meek employees are exactly what corporate overlords are looking for, college grads will be hired before non-college grads. SOS usually features crappy writers making crappy arguments. Here, for a bit of a change, we have a fine writer making a crappy argument. Let's take a look. Can you be fired for doing a great job, year after year, and in fact becoming nationally known for your insight and performance? Yes, as in the case of Marilee Jones, who was the dean of admissions at MIT until her dismissal last week, when it was discovered that she had lied about her academic credentials twenty-eight years ago. [Cast your eye to the end of the piece. She begins and she ends with Marilee Jones -- an elegant way to structure your essay.] She had claimed three degrees, although she had none. If she had done a miserable job as dean, MIT might have been more forgiving, but her very success has to be threatening to an institution of higher learning: What good are educational credentials anyway? [Already we're getting a little funky. If she hadn't been good at what she did, MIT might not have fired her? Ehrenreich wrongly assumes MIT had something in mind about the inherent worth of a college degree when it dismissed Jones. There's no reason to assume this. MIT had the trustworthiness of highly responsible administrators in mind.] I actually agree with Ehrenreich that too many Americans feel compelled to go to college. But I think she's got the reasons all wrong. Labels: SOS |
Monday, April 30, 2007
Scathing Online Schoolmarm: Somebody Help Me Care! David Whitley writes for a Florida newspaper. He wishes to convince us that multimillion dollar college coach salaries, escalating by the minute toward the tens of millions, are an excellent idea -- nay, an historical inevitability. But SOS is not sure Whitley really cares whether he convinces us of this or not. He is confused. He is not performing well. Let's check his progress, a few paragraphs into his piece: The point is that if anyone still is looking at this in the context of college sports, they hopelessly are blind to reality. [Come again? The context is college sports, surely? Given that this is about college sports? And that lame hopelessly is out of place: If you're going to use it, which you shouldn't, but if you are, put it in front of blind. And blind to reality is a cliche.] Labels: SOS |
Sunday, April 22, 2007
Scathing Online Schoolmarm Sometimes the writing's okay, but the argument is bad. Here's an example. I don't claim the style of writing here is without flaw, but the writing's not the problem. The problem is lack of logic and an appeal to sentiment. Over the past few days we [The opinion piece writers are a former president of Texas Southern University -- a criminally mismanaged school about to have a conservator assigned to it -- and a local politician. They're going to argue against the governor's plan to appoint the conservator.] have been asked by many of our friends why we fight so hard to preserve an institution that most people in this state believe to be dysfunctional. [Here's their first problem: It is indeed dysfunctional. Very few students graduate. Its president and financial officers were thieves. It's no longer a question of belief. Rational people know the place needs radical overhaul. I doubt even the authors of this opinion piece believe differently. It's their feelings that are leading them astray.] Labels: SOS |
Thursday, April 19, 2007
Scathing Online Schoolmarm SOS is developing something of a sideline in the parsing of official I Fucked Up statements. Here, for instance, is a post about Patrick Kennedy, Mel Gibson, and Russell Crowe. This morning we have the just-installed, multiply DUI'd president of the University of Mary Washington addressing the world. Let's take a look. On April 10 and 11, I was involved in two widely reported driving incidents. [Starts with simple narration. Good. We need to be reminded of the events. Yet where is the word arrested? Alcohol? Police? The word involved is no good at all. Involved could mean anything. And note the passive formulation: was involved. Direct statement is important right up front: On April 10 and 11, under the influence of alcohol, I drove erratically and was arrested as a result.] On Monday, I was released from the hospital, after five and a half days of examination for and treatment of possible injuries and for correction of a heretofore undetected, and potentially very serious, heart disorder. [Whoa Nellie. Not only have we leapt cleanly over the stupendous fact that this was about a two-day bender; we have -- in the second sentence -- made a play for sympathy by alluding to a heart thing. SOS is already prepared to say that it does not look good for this man.] It is only at the present time that I am able to return to other tasks and to communicate fully. [That's not because of your heart. It's because of the booze.] *************** More: Melissa, a reader, links to this charming discussion of the language of the non-apology. Labels: SOS |
Sunday, April 15, 2007
Scathing Online Schoolmarm UD saw Kinky Friedman perform decades ago at a club in Chicago. She's been singing his song Get Your Biscuits in the Oven and Your Buns in the Bed ever since. You uppity women I don't understand Turns out she's been singing one of the lines wrong: She thought it was "Women's liberation is a-makin' me mad." She checked the lyrics because she wanted to get up to date a bit on Friedman. He's written a little essay in the New York Sun that attracted the attention of SOS.
Labels: SOS |
Tuesday, April 10, 2007
Scathing Online Schoolmarm A biology professor complains in the Chronicle of Higher Education about the fragmented, quickly forgotten, nature of college learning, comparing students' intellectual behavior - scoring a grade in one course, quickly forgetting its content, scoring a grade in another course - to that of athletes trained simply to win one game and then another. It's a reasonable enough thing to worry about, but his essay doesn't worry about it properly, and so has the feel of a futile gesture -- about as futile as taking one course after another and not learning anything. Scathing Online Schoolmarm examines a few paragraphs: From an educational standpoint, rather than an economic one, college is a waste of time for most students, and teaching is a waste of effort for most professors. It is a waste of national resources on a colossal and increasing scale. [The problem with vast, vast statements like these is their vastness. Over-generalizing, as all Intro Comp students learn, is a mistake, because of a well-known paradox in writing: The more you inflate your rhetoric, the likelier that sucker is to burst right into shreds. Less is more, especially when, like this guy, you write guy-style -- see this earlier post -- and as a result cannot lend your Spenglerian doom the heavy breathing it demands. Note, for instance, the pairing of the words "colossal" and "increasing." The word that comes after colossal should be bigger than colossal. Increasing's a puny little thing. ] Labels: SOS |
Tuesday, April 03, 2007
Another Strong Opinion Piece... ... in the Oregon Register-Guard. Faculty members at the University of Oregon are keeping the pressure on that university's benighted administration as it turns a fine university into Oklahoma State. This piece, by an art history professor, is written guy-style. Guy-style is fine; UD likes guy-style. Guy-style writing is unadorned, functional, gets you there. One nice thing about guy-style is that if you rev its engine just a bit toward the end it can have a strong impact, because people assume it'll keep cruising along, and when it doesn't, it hits rather hard. Let me show you what I mean. 'The current price for a new University of Oregon basketball arena is $213.5 million, a significant increase over the recent estimate of $160 million. [Starts with numbers, and dramatic ones at that. As with the Univesity of Minnesota, everyone knows these university stadium projects will almost certainly be obscenely over budget.] Hasn't the time come for soul searching by those who are so avidly promoting this project? [See, this isn't the most stylish writing -- The rhetorical question's a little clunky, and prescribing soul searching for the soulless tends to make the whole effort feel futile just as the essay begins...] The enormous challenge of raising these many millions is taking a heavy toll on the university's good name. [Too many adjectives: enormous, many, heavy, good... You only want a couple of these. If you overdo it, the paradoxical result is a weakening of impact.] Yes. Write to Dave. I just did. Labels: SOS |
Tuesday, March 20, 2007
Scathing Online Schoolmarm Pope Urges World Peace has become a paradigm-headline for UD, a headline whose emptiness expresses the emptiness of all empty headlines. You don't always see UD's paradigm-headline in just those words. Sometimes it's Pope Cautions World Leaders, or Pope Notes Rising Youth Drug Use... A non-papal example UD remembers from her Medill School of Journalism days was a huge banner headline on the front page of the Chicago Tribune, which every day blared out with a huge banner headline: HOPES RISE ON ARMS CURB. Another variant of the empty headline -- which almost always accompanies an empty article -- is the Small Town Back to Normal After formulation. This is the piece about how, despite last Thursday's storm, Postmistress Pam is back to stamping letters. Here's a recent addition to the empty headline stock, from Bloomberg.com: Easier College Admission for Athletes Sparks a Review by NCAA As with all of the earlier empty headlines I've mentioned, nothing has happened. There isn't any news. To be sure, the rolly-poly NCAA has had its forward motion impeded a bit by some recent reminders (the Costas show; Antoine Wright's comments) that, as Boyce Watkins notes, it's a whorehouse on wheels. Subsequent to this embarrassment, a certain amount of wink-wink nod-nod has taken place: The longstanding practice at U.S. colleges of admitting athletes with substandard academic credentials is coming under fresh scrutiny. Labels: SOS |
Thursday, March 15, 2007
Scathing Online Schoolmarm Looks at a Madison Wisconsin Newspaper Article 'University of Wisconsin graduate Mary Gilbertson is outraged by the prospect that the tiny Department of Comparative Literature will be closed, despite strong protests from faculty, students and alumni. Labels: SOS |
Friday, March 09, 2007
'I Got Lost in His Arms and I Had to Stay," Sings... ...Annie Oakley in Annie Get Your Gun. Here's that kind of writing, the kind of writing where you get lost in its arms and have to stay. Color Scathing Online Schoolmarm impressed. Labels: SOS |
Thursday, March 08, 2007
Scathing Online Schoolmarm Dim is the word for the low wattage writing UD features below. Dim prose generates so little light that it's hard to make out any meaning. Reading it's like being underwater in a slimy murky world... Or rather, since this is an editorial about the University of Southern Mississippi, appearing in a Mississippi newspaper, reading this writing is like moving very very slowly under a brooding canopy of Spanish moss... In the big scheme of things, a 3,700-seat addition to a Division I university's football stadium is not that big of a deal. [Repetition of "big" already gumming things up. Writer should have dropped the first "big."] Considering it raises the total capacity to 37,000, it's something larger universities do with great regularity. [Logic of this sentence escapes me.] And some of those are already seating 80,000 or more. ---Hattiesburg American--- Labels: SOS |
Saturday, March 03, 2007
Scathing Online Schoolmarm No Noun Left Behind SOS has already, on this blog, looked at the "Signed, Disgusted" genre of letter writing. Nothing wrong with the genre. Nothing wrong with wanting in a public forum to express your disgust with an event or a person or an argument. But it has to be done right. Let us see how it looks when it's done wrong. Here's a man all het up about the death of the University of Illinois mascot, a dancing Indian chief. Since it's stupid to keen over the demise of a mascot, the letter writer has several challenges in getting this missive off the ground. He might begin, for instance, by acknowledging that what's upsetting him isn't, of course, the most important subject in the world... But he doesn't do that. Let us take a closer look. I know you [The letter is addressed to the president of the university] do not need any negative letters: However, I feel [In general, and especially in polemical writing, avoid "I feel." It's girly and emotive - it weakens your voice immediately.] this story needs to be told [Chief Illinewhatever: The Greatest Story Ever Told. We are already a bit out of our sphere, rhetoric-wise.]. Labels: SOS |
Tuesday, February 13, 2007
Scathing Online Schoolmarm Here's a charming article about grad school in the humanities, in the Yale Daily News, by a graduate student there. Excerpts follow, with occasional style suggestions by SOS in parenthesis. It was around this time last year when I got the “Magic Words” [drop quotation marks] from Yale telling me that I had been admitted. I was studying with my best friend at Amer’s café in Ann Arbor when I saw a “203" [drop quotation marks] number call my cell phone. I then peed on myself — just a little. [Drop 'just a little.'] I don’t know if you know this or not, but most schools (in the humanities) call if you’ve been admitted — not to add to your anxiety or anything. [Put "not to add" phrase in the middle of the sentence. Remember: You want to end sentences with your strongest stuff, which in this case is "call if you've been admitted."] And you’ll think I’m a total dork when I tell you that I actually [drop "you'll think I'm a total dork when I tell you that I actually"] memorized the area codes for the 11 schools I applied to: When Yale called, I knew before I even picked up the phone [drop "the phone."] . And the congratulations conversation went a little something like this: [Drop "And." Drop "a little something." Getting the idea? Less is more. Trust me.] I know some of my editorial suggestions seem to take a lot of the fun out of this, but read it my way and see whether it's not snappier. Labels: SOS |
Sunday, January 28, 2007
Scathing Online Schoolmarm... ...admires the extended use of metaphor in this excerpted Louisville Courier-Journal article. The author is Rick Bozich. A nice piece of writing.
Labels: SOS |
Tuesday, January 16, 2007
SOS: Scathing Online Schoolmarm: Dave Frohnmayer Thinks You're Stupid I've wrestled with my conscience over subjecting this morning's prose from the University of Oregon's president - an opinion piece in response to a faculty piece in the same paper which pointed out that the president's sports-obsession is destroying the school - to SOS scrutiny. The president's love of sports has taken a toll not merely on his prose style (assuming he, rather than a staff member, wrote the piece) but on his ability to reason. What purpose is served in close analysis of the efforts of such a person to express himself? Isn't it a species of cruelty to play with this person's words, as a cat plays with a mouse? Yes. Let's go to it. President Frohnmayer takes a peaceful, non-conflictual approach to the subject: In my 12 years as president of the University of Oregon, I have watched debates that pit the various elements of higher education against one another. These are actually very true dichtomies, as the president knows, or ought to know, and there's no dichotomy more spectacular than that between sport and educational seriousness. I wonder whether Frohnmayer has asked himself why the Congress is bearing down on the NCAA's tax exemptions for university sports activities. Certainly the government understands that the dichotomy not only exists but has become so sharp that little to no discernable educational activity for many of their students exists at more and more big sports schools. Why should taxpayers support highly profitable sports programs that don't educate their athletes? The president next falls into the saying-it-makes-it-so trap. Just as Donna Shalala thinks that saying her university is a serious academic institution makes it one, so President Frohnmayer thinks that repeating boilerplate from UO public relations materials makes their content true. Another way of saying this is that President Frohnmayer thinks you're dumb. He figures he doesn't have to make a case for his claims, the way the faculty, in their piece, did (scroll down). Academic quality is the cornerstone of our identity as a public research university. It is defined in our mission statement, "a community of scholars committed to the highest standards of academic inquiry, learning and service." Cornerstone, mission statement, community of scholars, integral part, excellence, athletes are students first, take great pride... This is hollow language. The president will note, irrelevantly, that the sports program pays for itself... I mean, not only is it irrelevant to whether it's destroying the university that the sports program pays for itself; stressing this meaningless fact enables the president to avoid taking up the big story everyone's talking about in regard to college sports: The possibility that - precisely because of indifference to educational values and hot aching passion for games among administrations like Frohnmayer's, the government might withdraw education-based tax exemptions. Final paragraph: Our mission is to achieve excellence in all areas of the university - the classroom, the laboratory and the athletic field. From Bill Bowerman to our prize-winning faculty to our 19 Rhodes Scholars, the UO legacy for academic and athletic distinction can and will continue side by side. Side by side we'll stride into the dawn of academic and athletic excellence! Take my hand and go with me there! Labels: SOS |
Friday, January 12, 2007
Scathing Online Schoolmarm... ... can only take her hat off to this English major at the University of Alabama, a woman who can write one mean letter. Let's see how she does it, in an open letter to the university's president, published in the school newspaper. Nick Saban, the new head football coach at the University of Alabama, is receiving a salary of $4 million per year, as I'm sure you're aware. You're probably not aware of who I am or how much your University is supposed to be paying me a year. [Starts with the obvious: Massa Saban, as one of UD's readers calls him. Hasn't really said anything nasty yet, but you just know it's coming. Cast your eyes to the letter's last paragraph, where she returns to Saban. She knows how to structure a good essay, giving it a nice rounded feel by invoking the massa at the beginning and at the end.] Labels: SOS |
Sunday, December 03, 2006
Scathing Online Schoolmarm... ...simmers down this morning and shows you what a fine piece of prose looks like. And it's from an English professor! Enjoy. Robert Thorson calls the design of the University of Connecticut's new Fine Arts Building a "metal monstrosity" and agrees with U.S. News and World Report that its architect, Frank Gehry, is "showy, self-indulgent and egotistical," the right choice perhaps for Bilbao or Los Angeles but not Storrs. My colleague feels that Gehry's "cosmic design" would fatally compromise the university's "earthy visual aesthetic." He prefers the "red brick" of the Nafe Katter Theater and the Benton Museum addition to "phallic, fecal, Nazi or crucifix designs" that he free-associates with the Gehry building. ---ross miller--- Labels: SOS |
Thursday, November 30, 2006
Scathing Online Schoolmarm A Regular University Diaries Feature Mike Lopresti, sports writer for USA Today, is pissed. Disgusted. SOS reminds you that when you write from strong emotions, you want to control your tone. No one's interested in your particular tantrum on any particular day. Moreover, some issues are worthier of intense feeling than others. Most people would agree that victims of genocide, let's say, are more important than spectacularly compensated American university football coaches who have recently been dismissed from their jobs. When you reserve your righteousness for soon-to-be-rehired coaches, readers wonder about your priorities. You don't want people wondering about your priorities. You want them focused on your argument. No more college football coaches sacked since sundown, but the day is young. We can use this temporary ceasefire to count the bodies being carried away, in a landscape where patience is spent even quicker than money. [We know that sportswriters as a group are metaphor-mad, with the metaphors changing from paragraph to paragraph, and Mike is no different. The scene of battlefield carnage with which he's begun, where multiple million dollar a year coaches with massive buyouts are compared to dead soldiers, will shift in the next paragraph.] Grade: D+. The plus is for the homeless bit. Labels: SOS |
Thursday, November 09, 2006
Scathing Online Schoolmarm [A Regular University Diaries Feature] Two Formulaic Writers: Which is Better? I ![]() [thanks to whitehouse.org] Here we have a passage from a Wild West romance novel. When judging prose that means to be formulaic, prose that wants to follow the conventions of an established and popular genre, we need to ask about its adequacy to our generic expectations. The writing, judged in this way, has certain strengths. The antediluvial cliche, "wave of revulsion," is excellent, as is the Snidely Whiplash dialogue: "feisty, ain't she... that kind's the most fun..." We get our money's worth here. But there are problems, in particular with the scab. The convention, in scenes like this one, is that the woman is repelled not really by the grossness of the man, but by his overpowering masculinity, with which, as a mincing little belle, she's unfamiliar (see Rhett, Scarlet). Thus she initially, defensively, proudly, hypocritically, reads this authentic rough maleness as grossness and pushes it away; but the man's insistence that she take sex on his terms changes her from Miss Prissy to Natural Woman. The scab, however, really is gross, so none of this works. It can only work if this novel means truly to depart from romance conventions and be, as Lynne Cheney's novel, Sisters, seems to want to be, a lesbian Wild West romance. Then it makes sense to make men scab-ridden dogs who deserve to be dumped for women. Yet in making its case for homoeroticism, the novel shifts genres, from bodice-ripper to Louisa May Alcott. Here, it evokes the utopia that awaits: "Let us go away together, away from the anger and the imperatives of men. We shall find ourselves a secluded bower where they dare not venture. There will be only the two of us, and we shall linger through long afternoons of sweet retirement. In the evenings I shall read to you while you do your cross-stitch in the firelight. And then we shall go to bed, our bed, my dearest girl. . . ." This formulaic novel fails not only because it wavers between formulae, but because it fails to make lesbianism competitive even with scabby heterosexuality. Cross-stitching in retirement is an unattractive option for someone who has bought a book that presents itself -- as Cheney's does -- as a hard-breathing romance novel. II "[He] could see Jawbone and Ashley Asthmatic [two guards at a Vietnamese prison camp] napping together in the grass. They faced inward, their arms entwined. It looked like they were masturbating each other. It didn't surprise him. … It was common to see men holding hands, embracing, playing with each other. Some of them [the guards] had wanted him. He could tell in those evanescent moments between his bao cao bow, the obligatory deference when a guard entered his cell, and the first word or blow that followed it… Quick, grinding voices, turgid with repressed passion. An exploratory reaching of the hand near his groin…” This second formulaic novel lies squarely in the rigors-of-war genre. Its rough, tell-all disposition is directly opposed to the oblique and sweet romance. We expect -- I think the cliche is "searing honesty" -- as such novels place young men in bloody and bizarre settings and follow them as they survive, changed forever. In the scene above, we have, instead of female eroticism, male, in the context of a Vietnamese prison. In order to fulfill our expectations, this scene must ring true; it must feature exoticism; and it must convey a lack of fear on the part of our hero. And this it all does, quite nicely. My only complaint is the use of the word "turgid." Turgid, an absurd-sounding word, is used to name the insane superstud in Dr. Strangelove (General Buck Turgidson). Along with satire, pornography is turgid's natural habitat, and it is best to leave it there. "[Fogarty] has been thinking of the firm, springy skin and the sweet smells of a young Filipina woman named Maria in whose bed he had spent three nights almost twenty years ago. . . . She was a deliciously bad young woman. . . . On the second night, he had brought her a box of Godiva chocolates . . . . he had awakened to find her in the bathroom, sitting on the toilet with her knees underneath her chin, eating chocolates and counting her rosary beads as she prayed." This is actually quite good, although "deliciously bad" sounds suspiciously like G.B. Shaw's "deliciously low" in Pygmalion. Again, it's got what we went to the book for: exoticism, reality... And even a little bit more, for that final image of the girl on the toilet eating chocolates is spectacular. I've never imagined a scene like that before, so it's got a provocative freshness about it... the sort of thing we go to far more ambitious novels for. I'd rewrite the last sentence, though, by taking out "as she prayed." We know that's what the beads are for, and the sentence is punchier without those final words -- ending on "rosary beads" is stronger. These, of course, are among the scenes from James Webb's novels that George Allen revealed to Virginians, in order to prompt their moral disgust and get them to vote for him. Now that that shabby trick has failed, UD considers the passages as writing, pure and simple, and finds them really not bad. Not good... But as formulaic fiction goes, better than respectable. In the contest, then, between the Vice-President's wife and Senator Webb, it's Webb by a longshot. Labels: SOS |
Monday, September 25, 2006
"We Pay for This School, and Then We Piss on It." First-rate writing from Travis Andrews at LSU. For once, Scathing Online Schoolmarm finds nothing to criticize. So LSU is tired of being a third-tier university. Labels: SOS |
Tuesday, September 19, 2006
Scathing Online Schoolmarm UD considers her fellow 'thesdan Robert Samuelson's recent opinion piece in the Washington Post. 'Call it the ExhibitioNet. [Samuelson wants to start with a bang, so he contrives this clever name for the exhibitionistic internet: ExhibitioNet. Only the name's not clever. Result: Inauspicious first sentence.] It turns out that the Internet has unleashed the greatest outburst of mass exhibitionism in human history. [The word - the concept - exhibitionism - is too broad for the use Samuelson seems to want to make of it here. As a writer who has written for decades about private as well as public matters in tons of different media, Samuelson is, by the vague measure he's about to offer, much more exhibitionistic than the people he attacks.] Everyone may not be entitled, as Andy Warhol once suggested, to 15 minutes of fame. [Lazy writer. The Warhol quotation is dead in the water, having been cited everywhere by everyone. And cast your eye to the end of Samuelson's essay: He'll also quote Thoreau on quiet desperation. Surpassing writerly sloth.] But everyone is entitled to strive for 15 minutes -- or 30, 90 or much more. We have blogs, "social networking" sites (MySpace.com, Facebook), YouTube and all their rivals. Everything about these sites is a scream for attention. Look at me. Listen to me. Laugh with me -- or at me. [Again, as a tireless promoter of his own experiences through decades of writing, Samuelson is hardly in a position to complain about other people. Unless, of course, he thinks he's better than other people, more deserving of air time. I'd be willing to consider his case for himself on this score, but he doesn't make it in this tossed-off plaint. Further, at no point in this opinion piece will Samuelson note that his traditional media -- judging by his bio, I'd guess he's in his sixties -- which are newspapers and magazines, are struggling to keep up with the new media he's describing as worthless and narcissistic. It would be more honest of him to mention the threat these new forms pose to writers like him rather than attacking them all as primal screams.] Labels: SOS |
Sunday, August 27, 2006
SOS: Scathing Online Schoolmarm A Regular University Diaries Feature An opinion piece from a South Carolina newspaper: "The task of the modern educator," wrote C.S. Lewis more than half a century ago, "is not to cut down jungles, but to irrigate deserts." [Warning light: Lewis is a very condescending writer. I've never been able to stand his simplistic, hectoring style. I know, I know -- a lot of wonderful, smart people love him. And he's written some wonderful stuff. But when I read his essays on Christianity, for instance, I really feel talked down to. And this quotation from him is typical of his elliptical, rather silly style: Isn't the task of education to do both? To brush away destructive overgrowth and to put something sustaining in its place?] The Oxford don [This is supposed to impress us, and I suppose it does. But the writer of this piece should also disclose that Lewis was often writing in defense of a specifically Christian world view.] suggests by this statement that the college classroom is at its best when it is a place where unformed minds confront a lofty standard, in the hope that students will rise and follow the exalted example. At its worst, college educators enter the academic arena determined to "cut down jungles" of prejudice and replace them with their own beliefs. I have my own problems, by the way, with Clemson's choice. But moralistic and simplistic literary criticism ain't the way to go. Labels: SOS |
Sunday, August 13, 2006
SOS (Scathing Online Schoolmarm) (A University Diaries Feature) Here's an article in the Arizona Republic, with UD's bracketed commentary. For many students, college is an intellectual rite of passage. [Let's not go overboard. For some students.] Labels: SOS |
Saturday, June 24, 2006
Saturday’s Scathing Online Schoolmarm… ….shows you how it’s supposed to be done. Yes, today our regular Saturday scathe-fest, in which UD, an English professor, analyzes in detail a bad piece of writing she has found ‘pon the web, will be a little different. Today UD, courtesy of a link from her blogpal Ralph Luker at Cliopatria, will show you how a great writer produces great writing. The blog barista is run by David Tiley, an Australian writer… or, it was run by Tiley, until he got very seriously ill - almost dead ill - and had to have lots of operations and be in the hospital for ages and generally go through hell. Let us see how Tiley writes his first post after having to be away from his blog’s readers for a long time: I’ve been home from hospital for a few days, and I can focus on fine print. I’ve cut my fingernails so I can type again. Bread tastes funny and I can’t tolerate coffee. I’ve been away a lot longer than we expected. Notice that he’s chosen to start with very brief, very simple, declarative sentences. This makes sense because it conveys his still being in something of a state of shock, knocked back intellectually by what’s happened to him. The style all by itself tells you Tiley’s not himself. The detail about the fingernails makes graphically clear how extended his absence has been. My first conscious memory after my bowel resection is one of the worst things you can confront in a hospital – an apologetic surgeon. I’d been hit by a medical emergency which was fifty years in the making. Tiley knows a rule of good writing UD has talked about more than once on this blog: Try to end each sentence with your strongest word or phrase. The apologetic surgeon shows up at the end of the sentence. It’s more dramatic this way - especially introduced with the dashing dash. When I was very small I had some kind of unidentified infection, which stopped one kidney from growing. Instead, the bowel had occupied the space, which meant the spleen had moved too. Reorganising my unexpected gut design, the doctors nicked my spleen, which collapsed and had to be removed, while I bled badly. Now, as Tiley settles into his writing task with more clarity and focus, his sentences begin to look more complex, with transitional phrases and subordination and all of that. He’s coming back to the world with greater force. Two days later, I responded to the trauma with a small heart attack. Tiley has also learned that it’s extremely effective to alternate between longish paragraphs with longish sentences in them and very short paragraphs of perhaps only one simple sentence. And again, he doesn’t write, “I had a small heart attack two days later.” He ends the sentence with “heart attack.” And he gives this horrendous event its own paragraph because it is horrendous and deserves its own paragraph. The next ten days became a blur of disconnected vignettes, my bed a nest, pushed from scan to scan and ward to ward. I’d have taken the word “disconnected” out of this sentence, since “blur” already does the job, and the sentence scans better without it. The metaphor of the bed as a nest is wonderful, conveying all at once the smallness, vulnerability, fragility, and perhaps also the growing sordidness, of Tiley’s suddenly constrained and frightening world. With all that morphine I made friends with a huge bear in the corner. I lost control of my visual cortex and lay for days in a muddle of spontaneous images, some viciously ugly, most collaged from shattered pieces of coloured Perspex cut with frozen, scanned memories. In my own naturally verbal sensorium, I suppose this was the pictorial equivalent of voices in my head. I puzzled for hours over the way that could happen but still be under control, which I guess is the way visual artists function, in a parallel to the stream of words coming from my fingers to this screen. Note, first of all, that we’re now fully recovered from that first-paragraph primitivism -- this is a complex, beautiful paragraph. It starts with humor, which shows up in this chronicle of misery just on time. You want to vary the tone in a piece like this one and not stay on “what a vile nightmare” throughout. I laughed when I read the huge bear line. The successful part of that sentence -- what makes it funny -- is the phrase “made friends with.” Notice too that, whether he’s aware he’s doing it or not, the writer is treating us to some pretty smooth alliteration: morphine made my muddle images most memories The second part of the paragraph, where he puzzles over his responses, is extremely moving. He is sharing with us the intimate business of the mind struggling hard against muddle, asserting self-consciousness in the battle for mental and physical survival. I twisted back and forth on a mobius strip of recursive identity, trying to work out who I was if the drugs had seized my brain. The “I” that I needed being a creature which could ask questions, organise my bedclothes and work out whether to put my hearing aids in or not. Spectacular. The writer also knows that we crave new and even weird forms of writing, original writing. And here we’re treated to writing appropriate to this man’s particular experience of real extremity. Hence the great “mobius strip of recursive identity,” which is a strange phrase I don’t entirely understand -- but I don’t care, because its baroque intricacy is somehow exactly right for the elaborately askew mentality of the sufferer as he tries to put himself back together again. I remember a man across the ward who was 86 years old, stone deaf, who shouted very loudly and was mentally flitting through the twilight zone. The doctors seemed to think he might have had a stroke in his fall at home; his family simply ignored his ravings, as if they had known his behaviour for a long time. These three character sketches are excellent, but probably were the easiest part of this post to write. I like the way he begins with the old man mentally flitting through the twilight zone, since it allows the reader perhaps to see this as a kind of panicked projection of the younger writer’s own condition -- being sick threatens to make him old before his time. As far as the Islander is concerned, ending the paragraph with what in other contexts would be a cliché - “sobbing in his mother’s arms” - works gloriously here because of the writer’s powerful prior account of the man’s toughness -- “swanking around” and all. More broadly, these sketches of other people reassure us that the writer is not dully concentrated on his own being and his own suffering -- he has the capacity to look compassionately at his world. Indeed, in his penultimate paragraph he’ll tell us that “I know something more of mortality, of compassion, of friendship and love” for having gone through all this. These sketches have already conveyed that to us. I’m not going to go on to analyze Tiley’s entire post -- it’s quite long -- but I want to end with the following paragraph: I rowed on through the hospital, my bed a dinghy, across rivers of knowledge. Bowels. Spleen. Hearts. I saw slices of my own heart beating, which were slowed down and repeated with their own sound track. ‘Beat’ is not the right word – the thing flutters, endlessly precise, fabulously fragile, each dancing move identical for every second from the womb to the grave. I’m fascinated by this metaphor of the dinghy, in part because I’ve seen it used in a very similar way in Harold Brodkey’s stupendously written account of his decline and death from AIDS, This Wild Darkness. Toward the end of his chronicle, Brodkey writes: My identity is as a raft skidding or gliding, borne on a flux of feelings and frights, including the morning’s delusion (which lasts ten minutes sometimes) of being young and whole. Brodkey comes back to the raft in his book’s very last paragraph: I am standing on an unmoored raft, a punt moving on the flexing, flowing face of a river. It is precarious. The unknowing, the taut balance, the jolts and the instability spread in widening ripples through all my thoughts. Peace? There was never any in the world. But in the pliable water, under the sky, unmoored, I am traveling now and hearing myself laugh, at first with nerves and then genuine amazement. It is all around me. Even in the last days of his life, Brodkey finds the word “pliable” -- rare, lovely, apt. The pathos of a powerful writer struggling to assert verbal power even at the end resides in “pliable.” One can no doubt find other great writers, along with Brodkey and Tiley, locating themselves upon rafts and dinghies as they attempt to convey identity suddenly made to float and maneuver in a new world. I suppose the cliché lying behind this utterly fresh writing about rafts is “clinging to a liferaft,” but that cliché has developed precisely because this floaty singular bobbing thing is in fact what losing your physical and mental moorings feels like. Tiley and Brodkey haven’t discovered a new metaphor; they’ve hit on one that was always there and set it skimming again. Labels: SOS |
Tuesday, June 20, 2006
A Haze of Praising A sociology professor at UD’s alma mahler, Northwestern, defends hazing in an opinion piece in the Chicago Tribune. UD comments parenthetically. 'Hazing is good for America. Those of us who have been through fraternity (and some sorority) initiations, at one time a hallowed part of campus life, know that they develop shared feelings of honor and pride. [Warning light. “Shared feelings of honor and pride” is major blahblah. Let us see if the writer can be more precise.] But such rituals have been toned down in today's no-risk, litigious, surveillance society. [The surveillance that brought the recent hazing cases to light was the students’ own Face Book activities. The writer seems to want us to think that the FBI’s been filming our kids.] Where once we accepted the rough-and-tumble of youth culture, now everything is examined through the thorny eyes of lawyers. [Thorny?] Labels: SOS |
Monday, June 05, 2006
Speaking of Drinking… …the story of a nineteen year old Cornell freshman, visiting friends at U Va and drinking himself to death at a fraternity party, inspired some good, thoughtful writing in the Cornell newspaper. Occasionally the writer is sort of pompous; but his basic honesty, directness, and careful style come through (I've made a few parenthetical suggestions). Adventures with Campus Ghosts *************** Pearlstone, another newpaper reports: [L]eft behind dozens of online messages that delved into his drinking habits, providing a rare glimpse into the thinking of a boy on the cusp of being a man. He was well-versed in the dangers of alcohol. He clearly did not drink thoughtlessly. He intellectualized it. He defended and defined it with the same brilliance he brought to academics. The students who apparently gave him alcohol -- he was underage -- have been arrested. Labels: SOS |
Saturday, May 20, 2006
Saturday SOS [Scathing Online Schoolmarm] 'UNIVERSITY PRESIDENTS HYPOCRITES' Labels: SOS |
Thursday, April 13, 2006
SOS! Scathing Online Schoolmarm Strikes Again 'Breast-Feeding Display On Campus To Raise Awareness ---kxan.com--- ()()()()()()()()()()()()()()()()()()() Update: Okay, okay. ![]() But - does this seem weird to you? Why doesn't the mother in the image have any hair? Are we trying to be gender-neutral? Labels: SOS |
Monday, April 03, 2006
While the Duke Story's Cooling Its Heels, There's Always Bad Writing to Keep Us Occupied An opinion piece at College Sports TV, graded by an English professor. DUKE LACROSSE SCANDAL WILL HAVE C Pretty weak writing overall (see my parenthetical comments); and a major spelling error in a title is a real no-no. +++++++++++++++++++++++++++++++ UPDATE: It's all been fixed! Editorial second thoughts or scathing online schoolmarm? Who knows... Labels: SOS |