February 7th, 2011
Poetry from Prose

UD takes sections of Judith Thurman’s marvelous 2008 New Yorker essay about paleolithic art caves, changes a word here and there, and makes a poem.

(There’s a new 3D Werner Herzog film about one of the caves.)

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LETTER FROM SOUTHERN FRANCE

As the painters were learning
to crush hematite, and to sharpen
embers of Scotch pine for their charcoal
(red and black the primary colors),
the last Neanderthals were still living
on the vast steppe that was Europe.

The scratches made by a standing bear
have been overlaid with a palimpsest
of signs or drawings, and one has to wonder
if cave art didn’t begin with a recognition
that bear claws were an expressive tool
for engraving a record — poignant and indelible —
of a stressed creature’s passage through the dark.

“As we trailed the artists deeper and deeper,
noting where they’d broken off stalagmites
to mark their path, we found signs that seemed to say,
‘We’re sanctifying a finite space in an infinite universe.’ ”

Halfway home to the mortal world,
we paused and turned off our torches.
It takes the brain a few minutes to accept
the totality of the darkness — your sight
keeps grasping for a hold.
Whatever the art means, you understand,
at that moment, that its vessel is both a womb and a sepulchre.

October 8th, 2009
UD Writes a Newspaper Poem

Devoted readers know I like to write these. Here are a few. I take a newspaper article and make a poem out of it.

Here’s the article
from which I’ve made my latest newspaper poem.

Here’s the poem:

A Lunar Crash Won’t Hurt the Moon

A lunar crash won’t hurt the moon.
Think of an eyelash, drifting to the floor of a 747.
This is a million times gentler than that.

The sun will light the impact plume
As it lifts six miles to heaven,
Deepening Cabeus Crater’s vat

Of shadowed ice, and making a boon
For lunar bases. A little leaven,
Moon dirt, a shepherd craft…

And the rock resumes
Its even, meteoritic,
Temper.

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