And UD knows every inch of hers, especially the system of paths she created through her forest.
Early this morning, gazing out her back windows at the path closest to her house, she saw a largish unmoving object on it. Her binoculars revealed this.
It’s a stock photo. UD wouldn’t know how to photograph an animal at that distance.
Her fox was bigger than this one, and seemed half-awake, calmly watching me as I watched it. I’d never seen a fox this close, and certainly not one comfortable enough to bed down so nearby.
I had all the usual thoughts… It’s beautiful. Is it rabid? Is it wounded? When will it leave? I can’t let the dog out. Will I have to call animal control?
And then I Googled. Turns out this is not an unusual event – foxes are nocturnal and will sometimes bed down close to people in daylight. And I mean – our garden is packed with rabbits and voles, etc. Why wouldn’t you want to be around that?
But this one wasn’t about solitary pleasures; my friend and neighbor Tammy came along, and we talked and talked about art. As usual, UD liked all the muted-color paintings (browns, blacks, tans, grays) like ter Brugghen’s Bagpipe Player. The garish reds (robes, blood) of the big Christian canvases do little for your blogueuse.
At first, finding he not long ago sold a house for $4.5 million, she was ready to pounce.
But when she realized that the UD houselet, bought in 1996 for a virtuous pittance (by ‘thesdan standards) and owned outright, is valued at $1,041,300 — not all that much less than what Brooks paid for his current non-showy house on Capitol Hill — she was inclined to shut up about it.
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As to other stuff in this defense of liberalism: Brooks, fundamentally a religious cultural conservative, is always going to have trouble truly defending liberalism, which tends toward secularity and restless change. He puts the search for meaning, transcendence, and community at the forefront of everyone’s basic life demands, but if you’re really itching for these, liberalism ain’t your best bet. Let me cite a passage from an earlier blog entry.
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In a recent interview, Adam Gopnik, who wrote a book defending liberalism from left and right attacks on it, observes that
[O]ur hunger for [collective] identity, our need for connection, is overwhelming and … liberalism [some argue] impedes it. Liberalism acts as a stopper on it. [This is Charles] Taylor’s point: We [have a] need to ask, “Where am I?” and liberalism [which is much better at giving us time and space to ask “Who am I?’] doesn’t seem to give a good answer to that.
But, Gopnik continues:
What liberals, I think, would say in response, what my liberalism would say in response, is first of all, liberalism has actually been very good at the project of making community. It’s why we live in New York. You know, I never get over the miracle of New York… A tolerant community is another kind of community. A pluralistic community is another kind of community. I delight exactly in the variety of kinds that I can find every time in New York. That’s not an absence of community. It’s a particular kind of community that we relish.
Is it, though, a community without roots, without stable collective identity, without inherited meanings, symbols, rituals?
Maybe liberalism – “the political order that privileges non-negotiable rights, personal freedoms, and individual autonomy” – issues in some degree of conceptual confusion, and maybe even in a difficulty or refusal to commit oneself to clear philosophical/theological convictions and collectivities – but is this really so unbearable a position to be in?
UD‘s thinking that the disaster in Baltimore might well decrease the number of freight trains that pass through Garrett Park. The longest CSX trains around here have car after car topped with coal.
The 1929 Evening Journal (Wilmington Delaware) reports that UD’s grandfather, Joe, and Joe’s brother Nathan, had warrants sworn out against them by an angry dance hall owner, who considered it unfair that he had to close on Sundays, but Ocean City boardwalk amusements did not.
When she walks her paths, piles of feathers mark battlefields.
Here are two feathers (mourning dove?) she picked up and brought inside yesterday.
A local poet, who lives next to an old forest slated for development, writes about her owls.
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The owl came because he wants this scrap of woodland, wants the beeches and their hollow hearts, their cavities. He came because so long ago the farmer left his fields alone to grow their latent crop of trees that no one came to cut. The owl wants this wooded hilltop, its ancient oaks that stand among heaped quartz the farmer or his father or his father’s father cleared. The owl wants the hilltop’s crown of hollies, wants the deep-shade roost they’ve made; he wants this open branch that ends a wing-wide tunnel through the hollies’ shelter, wants this place to watch, to rest and cast his pellets, wadded clumps of fur and bone the rain dissolves to show he wanted squirrels, and voles, and frogs, and once a huge black beetle. If you knew a wood would call an owl back, if you knew the owl’s calls would fill the winter wood until another owl answered, wouldn’t you want to leave the land alone to grow its woodland, wouldn’t you want to grant the owls what they wanted?