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From an interview with Emily Haines, Canadian rock star.

Interviewer: In [a recent] documentary you said that you were unhappy and you weren’t sure where your life was headed. I’m sure a lot of people must have heard that and been like, “What is she talking about? She’s a rock star, how could you be unhappy? There’s no direction? What is she talking about?” What would you say to people who would react like that?

[Haines] I’d say, has nobody read Great Jones Street, by Don DeLillo? [Laughs] That’s what I’d say. You should read it.

[Interviewer] What’s it about?

[Haines] It’s about this rock star who just disappears from the whole reality that he’s in because he just can’t handle it any more. And for me, it wasn’t like a particularly dramatic thing. I think I was just being honest, that the idea of what a life is supposed to be like for a successful musician is such a trap, and it’s a trick. We’re really determined as people to not have our lives be something that we’ve lost control of, and that’s the trade off, you know? Like, that’s the cost of success—that you never have time for anyone but yourself, you’re constantly exhausted, you don’t have a home, your relationships are always in shambles. Like, no fuckin’ way. I’m not doing that. So when we came off of the last run, it was like, we’d been touring for 3 years before Live It Out—you know, 300 shows a year, literally—and then 3 years after Live It Out, and then I put out a solo record, and then I did that for a year, and the day I get home and drop my bag it’s like, ‘Okay, time to write a new record.’

… [Interviewer] Why did you choose Buenos Aires as the place to kind of escape to?

[Haines] Because nobody knew us. I didn’t know a single person. I didn’t know anything about it except things that intrigued me historically, and architecturally. But more importantly, I was just looking for a room that had a piano, and it was literally like a search engine thing, like, ‘PIANO, ROOM, CITY, RENT’.

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