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… make UD think of Kitaj’s If Not, Not:

Horror among the palms. Among the blue skies and blue ponds and pools of a languid landscape. As in D.M. Thomas’ novel The White Hotel, or the book/film The Garden of the Finzi-Continis, the effort is to convey the world as both a highly evolved beautiful secure retreat, and a far-too-delicate entity subject to sudden lurid conflagration. Foreground, on-goingness. Background, the vile, all-arresting catastrophe.

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