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What’s It Like Here?

Hot. There’s a small breeze, but it’s Washington and it’s September and that means muggy. The early evening sky is beautiful. A mix of blue and gray with white clouds – it’s been a day unable to decide whether to rain, and the sky remains mixed.

UD is sitting on the edge of the Pentagon Memorial, from which there’s a large view of the gravel, the grasses, the white-flower crepe myrtles, and the winged benches jutting out of the gravel. Constant low-flying jets out of Reagan buzz the plaza. One of them was crashed just here.

I sat for ten minutes on Leslie Whittington’s bench – Whittington, her husband, and her two children, all killed. All of their names engraved on the bench.

*******************

Tears? Oh yes. Didn’t know her, but feel a kinship. My age, also a professor in Washington. I feel compelled, on these anniversaries, to imagine her last minutes.

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Enormous American flags hang off the sides of the Pentagon and nearby office buildings. The evening sun lights everything up with great clarity and drama. People set flowers down on each bench. A simple gesture which feels immensely loving.

Of course I’m never adequate to these moments. People go to a lot of trouble to design and build memorials, but when you get there it’s hard to know what to do, where to walk. There are quite a few people here with me, and we drift from winged bench to winged bench, reading names, photographing bouquets…

I’m now in a corner crouching over my laptop…

I find myself thinking not of the dead but of the living… Specifically, of two students I chatted with today after class. One after my English literature seminar and the other after The Postmodern Novel. One is a sophomore, one a senior.

The sophomore is talented in many directions and loves the study of many things, and this enviable condition was lately causing him anxiety. As in: What precisely to do? His parents were artsy sorts who did poorly in life and regret their artsiness; their son has inherited both a love and a suspicion of art. He figures he should probably be a music major (piano, other instruments, theory) but what can he do with that?

I tell him that a lot of people with those degrees teach. He listens. “What if I trap myself? Here I’m told to take advantage of all my skills and interests, but what if that’s actually a dumb thing to do?” I laugh and tell him that the impulse to map out your life, a preoccupation with not making mistakes, is understandable but to my mind a mistake in itself. “Life is messy, unpredictable. Probably the best thing to do is relax and pursue what you love. GW gave you some major, whopping, scholarships: Enjoy the gift.”

The senior amused me with a description of her honors seminar on the subject of love. “By the end of the semester, I’ll have learned never to get near it.”

Have I said often enough on this blog how much UD adores many of her students? Their charm, their energy, their considered and considerable puzzlement. It maketh my heart go pit-a-pat.

UD’s just like Leopold Bloom leaving the cemetery after Paddy Dignam’s burial. Throughout the funeral and burial his mind circles all the morbid themes; exiting the gates of the cemetery he’s right back onto Molly and Milly and all.

I can’t be very much with the memorialized; I grant them parts of my mind and soul on anniversaries, but even there the business of being busily alive intrudes.

Margaret Soltan, September 11, 2014 7:38PM
Posted in: snapshots from home

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3 Responses to “What’s It Like Here?”

  1. Van L. Hayhow Says:

    Beautiful.

  2. Tony Grafton Says:

    Lovely. My heart goes pitter-pat too, though less eloquently than yours does.

  3. Margaret Soltan Says:

    Thank you, Tony.

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