… surely you know the website… relaxes in her more than ample Sanibel Island bed in the early morning sun.

… surely you know the website… relaxes in her more than ample Sanibel Island bed in the early morning sun.

… trying not to stare at the Greek letters branded into the arm of a fellow student across from her at a seminar table. What could this degrading mark mean?
UD had much to learn about fraternities.
Sororities too. In the wake of a mentally unstable Northwestern university coed’s suicide, her mother is suing her sorority, and anyone else within a ten-mile range of the place, for neglect, wrongful death, etc. Turns out sororities and fraternities degrade, humiliate, and otherwise torture people who want to join them. Who knew?
UD does not wish to sound unfeeling. But this lawsuit will fail precisely because everyone knows that these organizations are the most perilously perverted locations you can find outside the pages of The Story of O. Enter them at your own risk. If masochism ain’t your thing, avoid them; and certainly if you have a history of mental fragility, avoid them like the plague.
Lots of people like to be hurt or are willing to be hurt in order to be included in a group; but lots of other people have more self-respect than this. And then there’s the category at hand: Some people aren’t emotionally strong enough to undergo protracted torture. You can’t expect the sorority to notice this. On the contrary, sororities often represent a group of women salivating at the spectacle of other peoples’ distress. If I’m not making this explicit enough: They like this kind of thing.
So who’s to blame? NU doesn’t blame the sorority. Sure, the school has suspended them for a decent interval (all schools temporarily suspend on the occasion of pledgedeath), but the place will be up and torturing again in no time. Universities typically consider fraternity carnage the price of doing business. ‘”Kids have died, the university didn’t do sh*t, I’m not really worried,” [a] police officer recalled a 23-year-old [University of Iowa fraternity member] saying [to him].’
As with most suicides, “blame” is not only hard to assign; it’s hard even to invoke as a relevant category. The lawsuit will fizzle; the only likely outcome is the elevation of the sorority’s status: That’s the place where a pledge killed herself.
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UD thanks Dirk for the Iowa link.
There’s a surprising amount of interesting architecture around here.
Mr UD admires the interior of an all-green (inside and out) Episcopal church.

On Captiva Island, the firehouse is a brilliant white. More pix.

A girl plays a game in back of the Island Cow restaurant.

Home again, after a drive around the islands: Cat, shells, palms, bayou.

… (as UD has always called it) has disappeared as a university (few students attend; almost no one graduates) but continues to thrive as a taxpayer-sponsored kleptomania/litigation machine. Corruption, virtually the only game on campus (uh, plus basketball), must be kept quiet in order to sustain itself, so the school’s constantly suing or threatening to sue students, professors, and administrators who tell the truth about what’s going on. CSU loses the suits, of course, and has to pay (the good people of Illinois have to pay) big settlement and legal costs.
Here’s the latest payout, the result of the school suing two faculty bloggers who did not conform, wrote CSU, to the “high standards of civility and professionalism [that] are central tenants [sic] of the University’s values.”
All that’s best of dark and bright… This is Florida, where supremely brilliant days give way to the blackest of cosmic backdrops. The intensity of light and lightlessness draws poets, among them Charlie Smith.
Schubert in Florida
When you slunk across my dream
I was listening
to Schubert, I was standing in a stairwell
in a beach town, listening to Schubert’s darkest sonata
Poetry, so much of poetry, is dream. I’ve said this – and tried to demonstrate it – constantly on this blog. Poetry is the navigation of dream, if you like — poetry takes for granted our hard-won, fugitive awareness at any daylight moment; it tells us we are not really in command of ourselves. Rather we attempt, every blessed day, to marshal our consciousness-forces with enough plausibility to make it through social life, though a public world, all the time in peril of being pulled under into our private stream of consciousness.
So not really dark and light, but a tissue of them, a dance with them, a struggle — a musical counterpoint — between them, and this tends to be poetry’s territory, the exploration and expression of the mind oscillating between something like what Freud meant by ego and id. If Schubert’s darkest work waltzes forward with deep obscure personal sorrow, sunniest Florida strains hard in the other direction, all communal sweetness and light even as the cosmic blackdrop is always there. Smith will place his speaker in that tug of war as he tries to drag himself out of a darkly persistent passion for an ex-lover and enter the light of day.
thinking of children
coming on love for the first time, of their hands,
trembling as they reach across an obscure space
to touch the beloved who has become everything
important in life
Well I’ll be damned, writes Joan Baez in a song about her long-ago lover Bob Dylan, here comes your ghost again. In this instance, the woman the speaker can’t get over has “slunk” into his dream, prompting, on his waking, thoughts of early, cryptic, all-encompassing passion… and, implicitly, personal amazement at the lifelong intensity of his passion for the woman who haunts his dreams.
and thought how ridiculous
and destructive this is, this irrepressible need
for the loved one, the cascade through the self
of another’s presence –
thinking of the music
picking my way through this like a man searching
tearfully for his most important possession, a man drifting
through one of the aging Florida beach towns
on an August day
Of course music, pure music, is pure dream; there’s a kind of structure, a kind of dream logic; and there’s an expressivity that is strong but inarticulable. Dreams and music move along to some meaning, or at least both feel profoundly meaningful, and we pick our way through both because both often seem to contain not only the most important things but, in their self-contained power and beauty, some explanation, some justification, for the way we are.
So… that “aging” town is our guy, having moved past passion to tearful acknowledgment of its weird loss/retention; and that Floridian August is the passion still somehow burning very bright – at least on the evidence of who goes slinking through one’s dreams.
who abruptly leaves the dolphin performance
and returns to his car
parked in the shade of a gumbo-limbo tree
and takes a nap
& dreams of his ex-wife crossing a sun-streaked lawn,
a fine woman who glances at him without desire
That “limbo” tree is a nice touch, since we’re arguing that all of us exist not in clarity of consciousness and then sleep, not in past and then present, but in a much more interesting state of limbo. And here the drifty confused impassioned old guy suddenly (not with forethought) leaves the bright dolphin display of the Florida beach and goes back to his Schubertian car (one assumes it’s his own radio he’s hearing when he stands in the stairwell) and takes the nap that generates the dream with which the poem begins: the lost lover never lost, always crossing the sun-streaked world of youth that his unconscious generates in the night.
as one would glance
indifferently at a stranger standing in an outdoor stairwell
in a beach town listening to Schubert playing on a car radio,
a stranger waiting almost patiently for a brief sadness
to quell and die down, so he might move on from there.
… the first book I read about Florida. I remember it in the bookshelf of the room I shared with my older sister in the second house we rented in Garrett Park. I also remember being charmed and excited by the pinkness of the motel’s buildings and by descriptions of life under Spanish moss and under a hot sun. From the outset, Florida was for UD a whole other world.
Every December, my parents loaded their four kids into our VW camper bus and drove down to explore a part of Florida. On the way, we always stayed at South of the Border. I recall the Everglades; orange groves; Jonathan Dickinson State Park (which my mother loved); Daytona Beach; a Seminole reservation. We watched a guy wrestle an alligator. We stayed at campsites.
Years later, I lived for awhile in Key West and loved it – loved everything about it (see the category Snapshots from Key West). The tropical exoticism I’d come to associate with Florida was intensely there at the southernmost point. But so was a loose oddball way of life, a way people had of rolling out the path they wanted to take and then taking it. I’ve never seen houses so expressive of philosophies of happiness as I’ve seen on Key West.
I always knew about the catastrophic overdevelopment of Florida; I always knew the state’s tacky side, and its ostentatious side. But my sentiment in favor of its beautiful strangeness hasn’t diminished since I sat in my parents’ VW staring at an armadillo crossing in front of our van.
Even here, on this well-heeled island, where I’m living the softest life imaginable in a floating world of perfect weather, warm water, and sheltering palms, I’m alive to the odd and alluring undercurrent of this state.
… a little blue heron, and two dive-bombing brown pelicans. Morning activity along my deck, on an inlet to the Gulf of Mexico.
Breakfast and shopping at the Sanibel Farmers Market; a walk through Ding Darling National Wildlife Refuge (we’ll see whether the federal shutdown has messed things up there), and then the regular daily grind: shelling, birdwatching, swimming. As for the nightly grind: There’s tending to our vast dark sky, the heaventree of stars hung with humid nightblue fruit.
… of the endless musical track which is UD‘s consciousness, the first song she felt compelled to sing on her balcony overlooking an inlet and beyond that the Gulf of Mexico, was Beethoven’s tiny morsel, Plaisir d’Aimer (not to be confused with the much more popular Plaisir d’Amour). To accompany the slow looping osprey and the calm passage of water and just the whole silence and slow time thing, UD‘s mind sought lento, sostenuto… plus something of a simple ballad. Nobody’s working up to much emotion in this song, and no one’s hopping up to a high C or breaking the run with a change of mood. It’s got the nonchalant beautiful flow of UD‘s setting and will do for today’s ear worm.
… another bird cackles in the mangroves, or flies just over my head, broad beak silver. Mullet leap out of the water. In the sky sometimes are little white airplanes. There’s no point in going inside because the morning breeze (after evening rain) is cooling, and the large family of egrets on the opposite shore stays there for me, letting me rest my binoculars on them as long as I like.
So sit here and let it gather, the pelican circus, and watch it revolve around you. Sanibel built a few houses, like this one, by the narrow inlets to the gulf, so that all day long you can settle on your deck and let it flow – the alligator water, the palm-shivering wind, the raptors and the passerines. They whistle about you their spontaneous cries.
We’ve been tracking disappearing attendance at university football games for years, and as stadia truly empty out, we’ll be interested to see which school pioneers live sex acts on a raised platform above the play in order to keep eyes focused more or less on the area of the field. “The experiential experience that a fan receives — positively or negatively — will affect a repeat customer,” says a University of Texas Vice President in an article noting that even Texas schools are lucky to fill half their seats for the first half of a game.
Kennesaw State’s football program is practically brand-new, so you can imagine the excitement it’s generated. Its 10,000-capacity stadium draws 2,000 or so on a good day, and coach is pissed. “There are 35,000 students here, and you tell me we can’t get 2,000 to come to a football game?”